Joel Andreas: Rise of the Red Engineers: The Cultural Revolution and the Origins of China’s New Class (2009)

Rise of the Red Engineers explains the tumultuous origins of the class of technocratic officials who rule China today. In a fascinating account, author Joel Andreas chronicles how two mutually hostile groups—the poorly educated peasant revolutionaries who seized power in 1949 and China’s old educated elite—coalesced to form a new dominant class. After dispossessing the country’s propertied classes, Mao and the Communist Party took radical measures to eliminate class distinctions based on education, aggravating antagonisms between the new political and old cultural elites. Ultimately, however, Mao’s attacks on both groups during the Cultural Revolution spurred inter-elite unity, paving the way—after his death—for the consolidation of a new class that combined their political and cultural resources. This story is told through a case study of Tsinghua University, which—as China’s premier school of technology—was at the epicenter of these conflicts and became the party’s preferred training ground for technocrats, including many of China’s current leaders.

Publisher Stanford University Press, 2009
Contemporary issues in Asia and the Pacific series
ISBN 0804760780, 9780804760782
344 pages

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Transit Labor: Circuits, Regions, Borders 1-2 (2010)

Transit Labor: Circuits, Regions, Borders #2

When jurisdiction can no longer be aligned with territory and governance does not necessarily assume liberalism, there is a need to rethink the relations between labour, mobility and space. Bringing together researchers from different parts of the world to discuss and pursue various paths of investigation and collaboration, the Shanghai Transit Labour Research Platform moved between online and offline worlds. Sometimes sequestered in seminar spaces and at other times negotiating the city and the regulatory environment, the participants drifted toward a collective enunciation. We could say this was about the production of new kinds of labouring subjectivities that build connections between domains which are at once becoming more irreconcilable and more indistinct: life and work, public and private, political and economic, natural and cultural.

Editors: Kernow Craig, Brett Neilson, Ned Rossiter, Soenke Zehle
December 2010
48 pages
Creative Commons License

Transit Labor: Circuits, Regions, Borders #1

Transit-labour investigates changing patterns of labour and mobility in the whirlwind of Asian capitalist transformation. Mindful of the view of Asia as the world’s factory, this three year research project examines the role of creativity, invention and knowledge production in the new economic order being forged from the region’s capitalist centres. Particular attention is given to changing relations of culture and economy in this transition and their entanglement with the production of new subjectivities and modalities of labour.

Editors: Kernow Craig, Brett Neilson, Ned Rossiter
July 2010
20 pages
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Laikwan Pang: The Distorting Mirror: Visual Modernity in China (2007)

“The Distorting Mirror analyzes the multiple and complex ways in which urban Chinese subjects saw themselves interacting with the new visual culture that emerged during the turbulent period between the 1880s and the 1930s. The media and visual forms examined include lithography, photography, advertising, film, and theatrical performances. Urbanites actively engaged with and enjoyed this visual culture, which was largely driven by the subjective desire for the empty promises of modernity—promises comprised of such abstract and fleeting concepts as new, exciting, and fashionable.

Detailing and analyzing the trajectories of development of various visual representations, Laikwan Pang emphasizes their interactions. In doing so, she demonstrates that visual modernity was not only a combination of independent cultural phenomena, but also a partially coherent sociocultural discourse whose influences were seen in different and collective parts of the culture. The work begins with an overall historical account and theorization of a new lithographic pictorial culture developing at the end of the nineteenth century and an examination of modernity’s obsession with the investigation of the real. Subsequent chapters treat the fascination with the image of the female body in the new visual culture; entertainment venues in which this culture unfolded and was performed; how urbanites came to terms with and interacted with the new reality; and the production and reception of images, the dynamics between these two being a theme explored throughout the book.

Modernity, as the author shows, can be seen as spectacle. At the same time, she demonstrates that, although the excessiveness of this spectacle captivated the modern subject, it did not completely overwhelm or immobilize those who engaged with it. After all, she argues, they participated in and performed with this ephemeral visual culture in an attempt to come to terms with their own new, modern self.”

Publisher University of Hawaii Press, 2007
ISBN 0824830938, 9780824830939
280 pages

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