Friedrich Kittler: Optical Media: Berlin Lectures 1999 (2002–)

27 February 2013, dusan

“This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation.

After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or “picture-frame” stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations.

In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.”

Publisher Merve, Berlin, 2002
Internationaler Merve Diskurs series, 250
ISBN 3883961833, 9783883961835
331 pages

English edition
Translated by Anthony Enns
With an introduction by John Durham Peters
Publisher Polity, 2009
ISBN 0745640915, 9780745640914
vi+250 pages

Reviews: Anthony Enns (Electronic Book Review 2004), Nicholas Gane and Hannes Hansen-Magnusson (Theory Culture Society 2006), Kiss (2006, HU), Bohár (HU), Jussi Parikka (2011).

Publisher (DE)
Publisher (EN)
Worldcat (DE)
Worldcat (EN)

Optische Medien. Berliner Vorlesung 1999 (German, 2002, added on 2016-8-13, removed on 2017-8-10 upon request from publisher – read first two chapters)
Optical Media: Berlin Lectures 1999 (English, trans. Anthony Enns, 2009)

continent. journal, Issue 2.4 (2013)

1 February 2013, dusan

continent. maps a topology of unstable confluences and ranges across new thinking, traversing interstices and alternate directions in culture, theory, politics and art.

continent. exists as a platform for thinking through media. text, image, video, sound and new forms of publishing online are presented as reflections on and challenges to contemporary conditions in politics, media studies, art, film and philosophical thought.

Contributors to this issue: Alexander R. Galloway, Peter Burleigh, Isaac Linder, Nico Jenkins, Vincent W.J. van Gerven Oei, A. Staley Groves, Eileen A. Joy, Bernhard Garnicnig, Paul Thomas and Tim Morton

Edited by Paul Boshears, Jamie Allen, Nico Jenkins
Creative Commons Attribution 3.0 License
ISSN 2159-9920

PDF (single PDF)
View online (HTML and PDF articles)
Back issues

Allan Janik, Stephen Toulmin: Wittgenstein’s Vienna (1973)

29 January 2013, dusan

“The central figure in this portrait of a crumbling society giving birth to the modern world without realizing it was Wittgenstein, the brilliant and gifted young thinker whose great book remains the key to modern thought and who went on to influence a whole generation of English thinkers, artists and scientists.

As a portrait of a man, this book is superbly realized. It is even better as a portrait of the age and milieu in which our modern ideas were born–not only in philosophy, but in art, music, literature, architecture, design and style.”

Publisher Simon and Schuster, New York, 1973
A Touchstone Book
ISBN 0671217259, 9780671217259
314 pages

Review: Barry Seldes (H-Net, 1996).

Wittgenstein’s Vienna (English, 1973)
La Viena de Wittgenstein (Spanish, trans. Ignacio Gomez de Liaño, 1998; removed on 2017-10-3 upon request of publishre)