Kate Eichhorn: The Archival Turn in Feminism: Outrage in Order (2013)

“In the 1990s, a generation of women born during the rise of the second wave feminist movement plotted a revolution. These young activists funneled their outrage and energy into creating music, and zines using salvaged audio equipment and stolen time on copy machines. By 2000, the cultural artifacts of this movement had started to migrate from basements and storage units to community and university archives, establishing new sites of storytelling and political activism.

The Archival Turn in Feminism chronicles these important cultural artifacts and their collection, cataloging, preservation, and distribution. Cultural studies scholar Kate Eichhorn examines institutions such as the Sallie Bingham Center for Women’s History and Culture at Duke University, The Riot Grrrl Collection at New York University, and the Barnard Zine Library. She also profiles the archivists who have assembled these significant feminist collections.

Eichhorn shows why young feminist activists, cultural producers, and scholars embraced the archive, and how they used it to stage political alliances across eras and generations.”

Publisher Temple University Press, Philadelphia, 2013
ISBN 9781439909515, 1439909512
xii+188 pages
via author

Interview with author (Critical Margins, 2014)

Reviews: Susan M. Kline (J Archival Organization, 2013), Rebecka Sheffield (Archivaria, 2014), Natalya Lusty (Archives & Manuscripts, 2014), Elizabeth Groeneveld (Contemporary Women’s Writing, 2015), Julie R. Enszer (Signs, 2015), Joyce M. Latham (J American Culture, 2015).

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Limn, 8: Hacks, Leaks, and Breaches (2017)

“Hardly a day passes without news of a major hack, leak, or breach; with the scale of computer use and reliance on digital forms of data, no sector of society is immune to these data dumps, infiltrations, and floods. From the surveillance of dissidents to the hacking of elections to the weaponization of memes, hacking is changing in character, and it is changing the world. In this issue we ask whether hacking and hacks have crossed a techno-political threshold: how are hacks, leaks and breaches transforming our world, creating new collectives, and changing our understanding of security and politics. How has the relationship of hacking and hackers to their own collectives, to governments, and to the tools and techniques been transformed recently? What does it mean to be a hacker these days, and how does it differ from engineering, from “cyber-security,” from information warfare or from hacktivism?”

Contributors: Claudio Guanieri, Nils Gilman, Jesse Goldhammer, Steve Weber, Finn Brunton, Matthew Jones, Molly Sauter, Rebecca Slayton, Matthew Goerzen, Adam Fish, Luca Follis, Mustafa Al-Bassam, Sarah Tochetti, Paula Bialski, E. Gabriella Coleman, Robert Tynes, Philip Di Salvo, Sarah Myers West, Ashley Gorham, Joan Donovan, Goetz Bachmann, Tor Ekeland, David Murakami-Wood, Kim Zetter. With science fiction by Cory Doctorow.

Edited by E. Gabriella Coleman and Christopher M. Kelty
Published Feb-Mar 2017
Creative Commons BY-SA 3.0 Unported License

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Art Workers: Material Conditions and Labour Struggles in Contemporary Art Practice (2015)

“The Art Workers book presents case studies from the local art contexts of Estonia, Finland and Sweden, collects artist-testimonies, discusses activist practices and maps out contemporary and historical forms of organising within the international art field.

The Art Workers identity typography is a grotesk, a typeface originating from industrialism, combined with the digitally manipulated DIY aesthetics of our time. The typography reflects the urgency of handmade signage made for protesting, and nods towards the working class movement in the beginning of industralisation.”

With contributions by Corina L. Apostol, Michael Baers, Fokus Grupa, Minna Heikinaho, Vladan Jeremić, Elina Juopperi, Jussi Kivi, Barbora Kleinhamplová, Jussi Koitela, Raakel Kuukka, Marge Monko, Zoran Popović, Precarious Workers Brigade, Taaniel Raudsepp & Sigrid Viir, Krisdy Shindler, Tereza Stejskalová, Lotta Tenhunen.

Edited by Minna Henriksson, Erik Krikortz and Airi Triisberg
Publisher Konst-ig, Stockholm, 2015
Creative Commons BY-NC-SA license
ISBN 9789163779466
232 pages

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