David A. Mindell: Between Human and Machine: Feedback, Control, and Computing before Cybernetics (2002)

Today, we associate the relationship between feedback, control, and computing with Norbert Wiener’s 1948 formulation of cybernetics. But the theoretical and practical foundations for cybernetics, control engineering, and digital computing were laid earlier, between the two world wars. In Between Human and Machine: Feedback, Control, and Computing before Cybernetics, David A. Mindell shows how the modern sciences of systems emerged from disparate engineering cultures and their convergence during World War II.

Mindell examines four different arenas of control systems research in the United States between the world wars: naval fire control, the Sperry Gyroscope Company, the Bell Telephone Laboratories, and Vannevar Bush’s laboratory at MIT. Each of these institutional sites had unique technical problems, organizational imperatives, and working environments, and each fostered a distinct engineering culture. Each also developed technologies to represent the world in a machine.

At the beginning of World War II, President Roosevelt established the National Defense Research Committee, one division of which was devoted to control systems. Mindell shows how the NDRC brought together representatives from the four pre-war engineering cultures, and how its projects synthesized conceptions of control, communications, and computing. By the time Wiener articulated his vision, these ideas were already suffusing through engineering. They would profoundly influence the digital world.

As a new way to conceptualize the history of computing, this book will be of great interest to historians of science, technology, and culture, as well as computer scientists and theorists.

Publisher Johns Hopkins University Press, 2002
ISBN 0801868955, 9780801868955
439 pages

Mindell’s lecture about the book at MIT (video, 78 min, 2002)

Review (Larry Owens, History of Science and Technology)

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Download (removed on 2014-9-18 upon request of the author)

Michael J. Shapiro: Cinematic Geopolitics (2008)

In recent years, film has been one of the major genres within which the imaginaries involved in mapping the geopolitical world have been represented and reflected upon.

In this book, one of America’s foremost theorists of culture and politics treats those aspects of the “geopolitical aesthetic” that must be addressed in light of both the post cold war and post 9/11 world and contemporary film theory and philosophy. Beginning with an account of his experience as a juror at film festival’s, Michael J. Shapiro’s Cinematic Geopolitics analyzes the ways in which film festival space and both feature and documentary films function as counter-spaces to the contemporary “violent cartography” occasioned by governmental policy, especially the current “war on terror.”

Influenced by the cinema-philosophy relationship developed by Gilles Deleuze and the politics of aesthetics thinking of Jacques Ranciere, the book’s chapters examines a range of films from established classics like the Deer Hunter and the Battle of Algiers to contemporary films such as Dirty Pretty Things and the Fog of War. Shapiro’s use of philosophical and theoretical works makes this cutting edge examination of film and politics essential reading for all students and scholars with an interest in film and politics.

Published by Routledge, 2008
ISBN 041577635X, 9780415776356
180 pages

Key terms:
Okwe, Deer Hunter, Dirty Pretty Things, fog of war, war on terror, El Salvador, Road to Guantanamo, Critique of Judgment, Gilles Deleuze, Jacques Ranciere, biopolitical, Cold War, Afghanistan, geopolitical, Fahrenheit 9/11, John Cassady, Iraq, Vietnam War, Predator Drone

publisher
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PDF (updated on 2012-9-7)