Régis Debray: Media Manifestos: On the Technological Transmission of Cultural Forms (1994/1996)

Media Manifestos sums up over a decade of Régis Debray’s research and writing on the evolution of systems of communication. Debray announces the battle-readiness of a new sub-discipline of the sciences humaines: “mediology.” Scion of that semiology of the sixties linked with the names of Roland Barthes and Umberto Eco — and trans-Atlantically affiliated to the semiotics of C.S. Peirce and the media analyses of Marshall McLuhan (“medium is message”) — “mediology” is yet in (dialectical) revolt against its parent thought-system. Determined not to lapse back into the empiricism and psychologism with which semiology broke, mediology is just as resolved to dispel the illusion of the signifier, slough off the scolasticism of the code, and recover the world — in all its mediatized materiality.

Written with Debray’s customary brio, Media Manifestos is no mere contribution to “media studies.” Steeped in the intellectual ethos of Althusser and Foucault, informed by the historical work of the Annales school, and yet plugged in to today’s audiovisual culture, Debray’s book turns a neologism (“mediology”) into a tool-kit with which to rethink the whole business of mediation.

First published as Manifestes médiologiques, Gallimard, 1994.

Translated by Eric Rauth
Publisher Verso, 1996
ISBN 1859840876, 9781859840870
179 pages

Review (Imre Szeman, Cultural Logic, 1998)
Review (John Conomos, RealTime, 1997)

Publisher

PDF (updated on 2012-11-19)

Terry Harpold: Ex-foliations: Reading Machines and the Upgrade Path (2008)

“Every reading is, strictly speaking, unrepeatable; something in it, of it, will vary. Recollections of reading accumulate in relation to this iterable specificity; each takes its predecessors as its foundation, each inflects them with its backward-looking futurity.” In Ex-foliations, Terry Harpold investigates paradoxes of reading’s backward glances in the theory and literature of the digital field.

In original analyses of Vannevar Bush’s Memex and Ted Nelson’s Xanadu, and in innovative readings of early hypertext fictions by Michael Joyce and Shelley Jackson, Harpold asserts that we should return to these landmarks of new media scholarship with newly focused attention on questions of media obsolescence, changing user interface designs, and the mutability of reading.

In these reading machines, Harpold proposes, we may detect traits of an unreadable surface—the real limit of the machines’ operations and of the reader’s memories—on which text and image are projected in the late age of print.

Publisher U of Minnesota Press, 2008
ISBN 0816651027, 9780816651023
368 pages

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PDF (updated on 2013-1-23)

William W Braham, Jonathan A Hale (eds.): Rethinking Technology: A Reader in Architectural Theory (2006)

“This book contains over fifty selected essays, manifestoes, reflections and theories by architects and architectural writers from 1900 to 2004. This mapping out of a century of architectural technology reveals the discipline’s long and close attention to the experience and effects of new technologies, and provides a broad picture of the shift from the ‘age of tools’ to the ‘age of systems’.

Chronological arrangement and cross-referencing of the articles enable both a thematic and historically contextual understanding of the topic and highlight important thematic connections across time.”

Publisher Routledge, 2006
ISBN 0415346541, 9780415346542
488 pages

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PDF, PDF (updated on 2018-5-31)