Michel Foucault: This Is Not a Pipe (1973–) [ES, EN, PT, SK, RU]

“What does it mean to write ‘This is not a pipe’ across a bluntly literal painting of a pipe? René Magritte’s famous canvas provides the starting point for a delightful homage by French philosopher and historian Michel Foucault. Much better known for his incisive and mordant explorations of power and social exclusion, Foucault here assumes a more playful stance. By exploring the nuances and ambiguities of Magritte’s visual critique of language, he finds the painter less removed than previously thought from the pioneers of modern abstraction.”

Originally published in French as Ceci n’est pas une pipe, Fata Morgana, Montpellier, 1973

English edition
Translated and Edited by James Harkness
With Illustrations and Letters by Rene Magritte
Publisher University of California Press, Berkeley/Los Angeles/London, 1983
ISBN 0520042328, 9780520042322
66 pages

Review (Marcel Chabot)

Publisher (EN)

Esto no es una pipa (Spanish, trans. Francisco Monge, 4th ed., 1981/1997, updated on 2014-6-6)
This Is Not a Pipe (English, trans. James Harkness, 1983, updated on 2014-7-4)
Isto não é um cachimbo (Portuguese, trans. Jorge Coli, 5th ed., 1988/2008, added on 2014-2-24)
Toto nie je fajka (Slovak, trans. Miroslav Marcelli, 1994, no OCR)
Eto ne trubka (Russian, trans. Irina Kulik, 1999, added on 2014-6-6)

Flusser’s View on Art: MECAD Online Seminar (2004)

The Vilém Flusser seminar took place in 2004 and was a cooperation between MECAD, Barcelona, and the _Vilém_Flusser_Archive. Presented was a text selection of Flusser’s writings on art. The seminar included also a presentation by Silvia Wagnermaier and a reflection text on Flusser’s theory by Siegfried Zielinski.

via _Vilém_Flusser_Archive

PDF

Hito Steyerl: The Wretched of the Screen (2012–) [EN, ES]

“In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl’s landmark essays from recent years in which she has steadily developed her very own politics of the image.

Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings.”

With Introduction by Franco “Bifo” Berardi
Publisher Sternberg Press, Berlin, September 2012
e-flux journal series
ISBN 9781934105825, 1934105821
200 pages

Reviews: Tony Wood (New Left Review, 2013), Maria Walsh (Art Monthly, 2013), McKenzie Wark (Public Seminar, 2015), Fracesca Da Rimini (ArtLink, 2015).
Exh. reviews: Holland Cotter (NY Times, 2012), Zoe Larkins (Art in America, 2012).

Editors
Publisher (EN)
Publisher (ES)
WorldCat (EN)

The Wretched of the Screen (English, 2012)
Los condenados de la pantalla (Spanish, trans. Marcelo Expósito, 2014, added on 2015-12-14)