Journal of Sonic Studies, Vol. 4: Towards New Sonic Epistemologies (2013)

The current issue of the Journal of Sonic Studies theorizes more fundamentally on the epistemologies, methodologies and ontologies of sound studies.

With contributions by Barry Truax, Katharine Norman, J. Milo Taylor, Carlos Alves, Xabier Erkizia, Julien Ottavi, Wajid Yaseen, Marinos Koutsomichalis, Budhaditya Chattopadhyay, Maarten Walraven, Walter Gershon, Justin Patch, Holger Schulze, Florian Hollerweger, Michelle Lewis-King, Axel Volmar,

Issue Editors: Marcel Cobussen, Holger Schulze, Vincent Meelberg
Publisher Leiden University Press, May 2013

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Patrick Feaster: Pictures of Sound: One Thousand Years of Educed Audio, 980-1980 + CD (2012)

“Using modern technology, Patrick Feaster is on a mission to resurrect long-vanished voices and sounds—many of which were never intended to be revived.

Over the past thousand years, countless images have been created to depict sound in forms that theoretically could be “played” just as though they were modern sound recordings. Now, for the first time in history, this compilation uses innovative digital techniques to convert historic “pictures of sound” dating back as far as the Middle Ages directly into meaningful audio. It contains the world’s oldest known “sound recordings” in the sense of sound vibrations automatically recorded out of the air—the groundbreaking phonautograms recorded in Paris by Édouard-Léon Scott de Martinville in the 1850s and 1860s—as well as the oldest gramophone records available anywhere for listening today, including inventor Emile Berliner’s recitation of Der Handschuh, played back from an illustration in a magazine, which international news media recently proclaimed to be the oldest audible “record” in the tradition of 78s and vintage vinyl. Other highlights include the oldest known recording of identifiable words spoken in the English language (1878) and the world’s oldest surviving “trick recording” (1889). But Pictures of Sound pursues the thread even further into the past than that by “playing” everything from medieval music manuscripts to historic telegrams, and from seventeenth-century barrel organ programs to eighteenth-century “notations” of Shakespearean recitation.

In short, this isn’t just another collection of historical audio—it redefines what “historical audio” is.”

Publisher Dust-to-Digital, Atlanta/GA, 2012
144 pages, with 164 images
via prohairesis

Review: Randall Roberts (LA Times).

FirstSounds.org initiative
Patrick Feaster discusses Pictures of Sound (video, 36 min)
Author
Publisher

PDF, PDF (29 MB, updated on 2018-3-29)
ZIP (CD, 92 MB, ZIP’d OGG, updated on 2016-12-23)

Sensate: A Journal for Experiments in Critical Media Practice (2012-)

Sensate is a peer-reviewed, issueless, open-access, media-based journal for the creation, presentation, and critique of innovative projects in the arts, humanities, and sciences. Its mission is to provide a scholarly and artistic forum for experiments in critical media practices that expand academic discourse by taking us beyond the margins of the printed page. Fundamental to this expansion is a re-imagining of what constitutes a work of scholarship or art.

Editors-in-Chief: Lindsey Lodhie, Peter McMurray, Joana Pimenta, and Elizabeth Watkins
Creative Commons 3.0 Attribution license

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