Everything Magazine (1992-2001)

The magazine reported on London’s independent art scene, projects, politics and philosophy throughout the 1990s. The web archive includes essays, interviews, reviews, web projects, and two eBC net casts.

Editorial collective (e/E): Luci Eyers, Steve Rushton aka Martina Kapopkin, John Timberlake
Published in London
via Steve Rushton

Interview with editors (Real Audio, 1999)

HTML (Issue -1)
HTML (partial archive, use menu at the bottom)
Net casts (1998)

Jane M. Jacobs: Edge of Empire: Postcolonialism and the City (1996)

“Edge of Empire examines struggles over urban space in four contemporary first world cities: two sites in London and two sites in the Australian cities of Perth and Brisbane. Through these examples the spatialised cultural politics of a number of ‘postcolonial’ processes are unravelled: the imperial nostalgias of the one-time heart of empire, the City of London; the struggle of diasporic groups to make a homespace in the old imperial heartlands; the unsettling presence of Aboriginal claims for the sacred in the space of the modern city and the emergence of hybrid spaces in the contemporary city. This book is about the unruly spatial politics of race and nation, nature and culture, past and present. This is a ‘global geography of the local’. The book is distinctive in that it takes theories of colonialism and postcolonialism to the space of the city – it gives real space to the spatial metaphors of much contemporary social theory. If the contemporary city is a postmodern space it has not-so-hidden geographies of imperialism and postcolonialism. The global reach of the book – its focus of two poles of one trajectory of British imperialism – provides a global assemblage which form a basis for understanding the unruly fortunes of imperialism over space and time. This is not simply a material geography of territory, it is also an imaginative geography of desire and memory.”

Publisher Routledge, 1996
ISBN 0415120063, 9780415120067
193 pages

PDF

Simon Sadler: Archigram: Architecture without Architecture (2005)

“In the 1960s, the architects of Britain’s Archigram group and Archigram magazine turned away from conventional architecture to propose cities that move and houses worn like suits of clothes. In drawings inspired by pop art and psychedelia, architecture floated away, tethered by wires, gantries, tubes, and trucks. In Archigram: Architecture without Architecture, Simon Sadler argues that Archigram’s sense of fun takes its place beside the other cultural agitants of the 1960s, originating attitudes and techniques that became standard for architects rethinking social space and building technology. The Archigram style was assembled from the Apollo missions, constructivism, biology, manufacturing, electronics, and popular culture, inspiring an architectural movement—High Tech—and influencing the postmodern and deconstructivist trends of the late twentieth century.

Although most Archigram projects were at the limits of possibility and remained unbuilt, the six architects at the center of the movement, Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron, and Michael Webb, became a focal point for the architectural avant-garde, because they redefined the purpose of architecture. Countering the habitual building practice of setting walls and spaces in place, Archigram architects wanted to provide the equipment for amplified living, and they welcomed any cultural rearrangements that would ensue. Archigram: Architecture without Architecture—the first full-length critical and historical account of the Archigram phenomenon—traces Archigram from its rediscovery of early modernist verve through its courting of students, to its ascent to international notoriety for advocating the “disappearance of architecture.””

Publisher MIT Press, 2005
ISBN 0262693224, 9780262693226
242 pages

Publisher

PDF, PDF (11 MB, updated on 2016-5-7)