Alex Klein, Charlotte Cotton (eds.): Words Without Pictures (2009)

19 February 2016, dusan

Words Without Pictures was conceived of by curator Charlotte Cotton and artist Alex Klein to create spaces for discourse around current issues in photography. Every month for a year, beginning in November 2007, an artist, educator, critic, art historian, or curator was invited to contribute a short, un-illustrated, opinionated essay about an emerging or changing aspect of photography. Each piece was available on the Words Without Pictures website for one month and was accompanied by a discussion forum, which received both invited and unsolicited responses from a wide range of interested parties—students, bloggers, critics, historians, artists of all kinds, all of which were previously issued as a print-on-demand title.

Contributors include Walead Beshty, Paul Graham, Darius Himes, Kevin Moore, Penelope Umbrico, James Welling, George Baker, Sharon Lockhart, Shannon Ebner, Allen Ruppersberg, Allan McCollum, Carter Mull, Anthony Pearson, Mark Wyse, Sarah Charlesworth, Sze Tsung Leong, Harrell Fletcher, Leslie Hewitt, A.L. Steiner, Jason Evans, Charlie White, John Divola, and many more.”

Publisher Los Angeles County Museum of Art, Los Angeles, 2009
ISBN 0875872034, 9780875872032
500 pages

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Max Bense: aesthetica IV. Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik (1960) [German]

22 January 2016, dusan

Max Benses informationeile Ästhetik schließt mit einer Allgemeinen Texttheorie ab, die, auf der Grundlage statistischer Untersuchungen von Fucks, Herdan, Mandelbrot u. a., als Modell der neuen statistischen Zeichen-Ästhetik aufgefaßt werden kann.

Die Allgemeine Texttheorie bezieht sich auf jede Art von Text, schließt also die ästhetische Theorie der Poesie und Prosa, aber auch der wissenschaftlichen Sprachen, Werbesprachen und abstrakten Sprachen usw. ein.

Der Begriff Text wird dabei als derjenige sprachliche Zustand aufgefaßt, der statistische bzw. informationelle, semantische bzw. ästhetische Formen meint, aus deren Materialität Poesie und Prosa im klassischen Sinne erst hervorgehen. Der Begriff Text zielt also nicht auf vorästhetische Zustände der Sprache ab, sondern auf vorpoetische und vorprosaische. Er bestimmt gewissermaßen die archaischen theoretischen Fundamente der Literatur.

Allgemeine Texttheorie umfaßt also Textstatistik, Textsemantik, Textphänomenologie und Textästhetik. Der bisher völlig unklar oder falsch verwendete Ausdruck Logik der Dichtung verschwindet zugunsten des genau formulierbaren Ausdrucks Textsemantik, der den Begriff Textlogik mit umfaßt.

Es werden also sowohl numerische wie essentielle Überlegungen zum Begriff Text angestellt.

Die Allgemeine Texttheorie erscheint als Grundlagenforschung für zukünftige Literaturwissenschaft und Literaturtheorie. Sie will exakte Mittel einführen und der beliebigen üblichen Interpretation, soweit sie nicht historische Fakten herausstellt, ein Ende bereiten.” (from the dusk jacket)

Publisher Agis, Baden-Baden and Krefeld, 1960
128 pages
via Mitchell Johnson

Commentary: Reinhard Döhl (n.d., DE).

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More on Bense’s aesthetics.

Tom Cohen, Claire Colebrook, J. Hillis Miller: Twilight of the Anthropocene Idols (2016)

22 January 2016, dusan

“Following on from Theory and the Disappearing Future, Cohen, Colebrook and Miller turn their attention to the eco-critical and environmental humanities’ newest and most fashionable of concepts, the Anthropocene. The question that has escaped focus, as “tipping points” are acknowledged as passed, is how language, mnemo-technologies, and the epistemology of tropes appear to guide the accelerating ecocide, and how that implies a mutation within reading itself—from the era of extinction events.

Only in this moment of seeming finality, the authors argue, does there arise an opportunity to be done with mourning and begin reading. Drawing freely on Paul de Man’s theory of reading, anthropomorphism and the sublime, Twilight of the Anthropocene Idols argues for a mode of critical activism liberated from all-too-human joys and anxieties regarding the future. It was quite a few decades ago (1983) that Jurgen Habermas declared that ‘master thinkers had fallen on hard times.’ His pronouncement of hard times was premature. For master thinkers it is the best of times. Not only is the world, supposedly, falling into a complete absence of care, thought and frugality, a few hyper-masters have emerged to tell us that these hard times should be the best of times. It is precisely because we face the end that we should embrace our power to geo-engineer, stage the revolution, return to profound thinking, reinvent the subject, and recognize ourselves fully as one global humanity. Enter anthropos.”

Publisher Open Humanities Press, 2016
Critical Climate Change series
Creative Commons BY-SA 4.0 License
ISBN 9781785420153 (Print), 9781785420160 (PDF)
220 pages

Publisher
OAPEN
WorldCat

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