Tiqqun journal, 1-2 (1999-2001) [French/transl.]

Tiqqun was a French journal that published two issues in 1999 and 2001. The authors wrote as an editorial collective of seven people in the first edition and went uncredited in the second edition.

“Tiqqun’s poetic style and radical political engagement are akin to the Situationists and the Lettrists. Tiqqun is relatively accepted in the radical, philosophical milieu, the Situationist and post-Situationist groups, in the ultra-left, the squat and autonomist movements, as well as among some anarchists. Tiqqun is strongly influenced by the work of the italian philosopher Giorgio Agamben.” (Wikipedia)

Reading The Cybernetic Hypothesis (article by Joss Winn, July 2010)
Tiqqun at Bloom0101.org (from IA)
Tiqqun.info

Issue 1 (French, more formats at IA)
Issue 2 (French, more formats at IA)
Trans. of selected texts from issues 1 and 2 (English)
Trans. of selected texts from issues 1 and 2 (English, German, Italian, Spanish, Greek, Portuguese)

Networked: a (networked_book) about (networked_art) (2010, open draft)

In 2007, Jo-Anne Green and Helen Thorington (Co-Directors, New Radio and Performing Arts, Inc. | Turbulence.org) proposed Networked to Eduardo Navas (NewMediaFIX). Along with Sean Dockray (Telic Arts Exchange) and Anne Bray (Freewaves), they developed an application to the National Endowment for the Arts, which funded the project in 2008.

An international Call for Proposals was issued. It defined the project’s Goals and Objectives and invited contributions that critically and creatively rethink how networked art is categorized, analyzed, legitimized — and by whom — as norms of authority, trust, authenticity and legitimacy evolve. A committee of nine reviewed the submissions: four authors were commissioned to develop chapters that are now open for commentary, revision, and translation. A fifth — one of the runners-up — was invited to contribute. Networked is open to additional chapters.

Networked proposes that a history or critique of interactive and/or participatory art must itself be interactive and/or participatory; that the technologies used to create a work suggest new forms a “text” might take.

Chapters:
* Remix and the Rouelles of Media Production
* Deseriis › No End In Sight
* Ulmer › The Learning Screen
* Varnelis › The Immediated Now
* Helmond › Lifetracing
* Freeman › Storage in Collaborative Networked Art
* Munster › Data Undermining
* Lichty › Art in the Age of DataFlo

by Authors and Collaborators of the Networked Book Project.
Facilitator: New Radio and Performing Arts, Inc. (NRPA).
Licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported license.

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Speculations: Journal of Speculative Realism, No. 1 (2010)

Speculations is a journal dedicated to research into speculative realism and post-continental philosophy. Our aim is to facilitate discussion about ongoing developments within these emerging movements and related disciplines. The journal is open access and peer-reviewed.

Edited by Paul Ennis, University College, Dublin
Creative Commons BY-NC-ND license
ISBN 978-0-557-57344-8

Authors

PDF (updated on 2014-9-20)