Your Private Sky: R. Buckminster Fuller: The Art of Design Science (1999)

“‘Bucky’ was one of the most revolutionary technological visionaries of this century. As an architect, engineer, entrepreneur, poet, he was a quintessentially American, self-made man. But he was also an outsider: a technologist with a poet’s imagination who already developed theories of environmental control in the thirties (“more with less”) and anticipated the globalization of our planet (“think global – act local”).

This visual reader documents and examines Fuller’s theories, ideas, designs, and projects. It also takes an analytical look at his ideology of technology as the panacea. With numerous illustrations, many published here for the first time, as well as texts by Fuller and the editors.

The publication presents Buckminster Fuller’s creations as a dazzling expression of this unconditionally optimistic technocrat whose vision of driverless Spaceship Earth led him to examine the principles of maximizing effects in the most diverse sectors of design and construction.”

Edited by Joachim Krausse and Claude Lichtenstein
Translated by Steven Lindberg and Julia Thorson
Publisher Lars Müller, Baden, 1999
ISBN 3907044886, 9783907044889
528 pages
via ExP

Review: John Martinson (Geographical Review 2001).

Publisher
WorldCat

PDF (no OCR, 68 MB)

Rhizomes, 30: Quantum Possibilities: The Work of Karen Barad (2016)

“In the past decade, Karen Barad’s oeuvre, especially the voluminous Meeting the Universe Halfway (2007), has attracted increasingly great attention in feminist philosophy, cultural studies and feminist science studies. Alongside scholars like Elizabeth Wilson and Vicki Kirby, she has spearheaded the recent feminist exploration of complex scientific issues, and presented new less categorical ways of thinking ontology and epistemology (or indeed onto-epistemology as she refers to it) as a result. Many of the terms introduced and developed by Barad, such as ‘intra-action’, ‘diffraction’ and ‘agential realism’ have shifted the standard metrics of knowledge production and her theories have inspired animated discussion in emerging critical strands as varied as the new materialism in feminism, object oriented ontology, post- and transhumanism, speculative realism, environmental and digital humanities, among others. In a critical climate that is becoming increasingly ‘Baradian’, this special issue on the ‘Quantum Possibilities’ of Barad’s work does not merely aim to reflect the engagements currently being made within these fields, but extends Barad’s ethos of continually rethinking our critical concepts and methodologies ‘without taking these distinctions to be foundational or holding them in place’. Creating ‘diffractive’, or new ‘quantum level’ means of reflecting on, and engaging with Barad’s work, the essays collected here stake out a new set of directions for their wide array of disciplinary identities.”

With essays by Joseph Rouse, Evelien Geerts and Iris van der Tuin, Rebekah Sheldon, Kathrin Thiele, Hanna Meißner, Andie Elizabeth Shabbar, Ulf Mellström, Martin Savransky, Dorothea Olkowski, Graham Harman, Levi R. Bryant, Rick Dolphijn, Katie King, Ino Mamic, and Myra J. Hird.

Edited by Karin Sellberg & Peta Hinton
Published 12 July 2016
Open access
ISSN 1555-9998

HTML

Saltwater: A Theory of Thought Forms (2015) [English/Turkish]

Catalogue for the 14th Istanbul Biennial, held 5 September – 1 November 2015 and curated by Carolyn Christov-Bakargiev.

“Saltwater: A Theory of Thought Forms hovers around a material – salt water – and the contrasting image-forms of knots and waves. It looks for where to draw the line, to withdraw, to draw upon, and to draw out. It does so offshore, on the flat surfaces with our fingertips, but also in the depths, underwater, before the enfolded encoding unfolds.

This city-wide exhibition on the Bosphorus considers different frequencies and patterns of waves, the currents and densities of water both visible and invisible that poetically and politically shape and transform the world. With and through art, we mourn, commemorate, denounce, try to heal, and we commit ourselves to the possibility of joy and vitality, of many communities that have co-inhabited these spaces, leaping from form to flourishing life.”

With essays by Emin Özsoy, Aurora Scotti, Jean-Michel Vappereau, Griselda Pollock, Pietro Rigolo, Beatriz Colomina, Boris Groys, Alexander Provan, Andrew Yang, Vilayanur S. Ramachandran, Elvan Zabunyan, Penelope Deutscher, Adrian Parr, Bracha L. Ettinger, William Irvine, Chus Martínez, Jeffrey Peakall, Orhan Pamuk, and an anthology edited by Ingo Niermann.

Drafted by Carolyn Christov-Bakargiev
Edited by Süreyyya Evren
Publisher Istanbul Foundation for Culture and Arts and Yapı Kredi Publications, Istanbul, 2015
Open access
ISBN 9786055275259, 6055275252
lxii+540 pages

Exhibited works online

Publisher
WorldCat

PDF, PDF (63 MB)