Reza Negarestani: Cyclonopedia: Complicity with Anonymous Materials (2008)

“Cyclonopedia is theoretical-fiction novel by Iranian philosopher and writer Reza Negarestani. Hailed by novelists, philosophers and cinematographers, Negarestani’s work is the first horror and science fiction book coming from and written on the Middle East.

‘The Middle East is a sentient entity—it is alive!’ concludes renegade Iranian archaeologist Dr. Hamid Parsani, before disappearing under mysterious circumstances. The disordered notes he leaves behind testify to an increasingly deranged preoccupation with oil as the ‘lubricant’ of historical and political narratives.

A young American woman arrives in Istanbul to meet a pseudonymous online acquaintance who never arrives. Discovering a strange manuscript in her hotel room, she follows up its cryptic clues only to discover more plot-holes, and begins to wonder whether her friend was a fictional quantity all along.

Meanwhile, as the War on Terror escalates, the US is dragged into an asymmetrical engagement with occultures whose principles are ancient, obscure, and saturated in oil. It is as if war itself is feeding upon the warmachines, leveling cities into the desert, seducing the aggressors into the dark heart of oil …

At once a horror fiction, a work of speculative theology, an atlas of demonology, a political samizdat and a philosophic grimoire, CYCLONOPEDIA is work of theory-fiction on the Middle East, where horror is restlessly heaped upon horror. Reza Negarestani bridges the appalling vistas of contemporary world politics and the War on Terror with the archaeologies of the Middle East and the natural history of the Earth itself. CYCLONOPEDIA is a middle-eastern Odyssey, populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, corpses of ancient gods and other puppets. The journey to the Underworld begins with petroleum basins and the rotting Sun, continuing along the tentacled pipelines of oil, and at last unfolding in the desert, where monotheism meets the Earth’s tarry dreams of insurrection against the Sun.”

Publisher Re.Press, Melbourne, August 2008
Anomaly series
ISBN 0980544009, 9780980544008
268 pages

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Gene Ray: Terror and the Sublime in Art and Critical Theory: From Auschwitz to Hiroshima to September 11 (2005)

The eleven interconnected essays of this book penetrate the dense historical knots binding terror, power, and the aesthetic sublime and bring the results to bear on the trauma of September 11 and the subsequent “war on terror.” Through rigorous critical studies of major works of post- 1945 and contemporary culture, the book traces transformations in art and critical theory in the aftermath of Auschwitz and Hiroshima. Critically engaging with the work of continental philosophers Theodor W Adorno, Jacques Derrida, and Jean-Francois Lyotard and of contemporary artists Joeph Beuys, Damien Hirst, and Boaz Arad, the book confronts the shared cultural conditions that made Auschwitz and Hiroshima possible and offers searching meditations on the structure and meaning of the traumatic historical “event.” Ray argues that globalization cannot be separated from the collective tasks of working through historical genocide. He provocatively concludes that the curent US-led “war on terror” must be grasped as a globalized inability to mourn.

Contents:
Introduction: The Hit * Reading the Lisbon Earthquake: Adorno, Lyotard, and the Contemporary Sublime * Joseph Beuys and the “After-Auschwitz” Sublime * Ground Zero: Hiroshima Haunts 9/11 * Mirroring Evil: Auschwitz, Art, and the “War on Terror” * Little Glass House of Horror: Taking Damien Hirst Seriously * Blasted Moments: Remarking a Hiroshima Image * Installing a “New Cosmopolitics”: Derrida and the Writers * The Trauerspiel in the Age of Its Global Reproducibility: Boaz Arad’s Hitler Videos * Listening with the Third Ear: Echoes from Ground Zero * Conditioning Adorno: “After Auschwitz” Now

Published by Palgrave Macmillan, 2005
ISBN 140396940X, 9781403969408
188 pages

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