Ian Buchanan, Patricia MacCormack (eds.): Deleuze and the Schizoanalysis of Cinema (2008)
Filed under book | Tags: · abstract machine, body without organs, cinema, deterritorialization, film, film history, immanence, psychoanalysis, schizoanalysis
In 1971, Deleuze and Guattari’s collaborative work, Anti-Oedipus: Capitalism and Schizophrenia caused an international sensation by fusing Marx with a radically rewritten Freud to produce a new approach to critical thinking, which they provocatively called “schizoanalysis.” Deleuze and the Schizoanalysis of Cinema explores the possibilities of using this concept to investigate cinematic works in both the Hollywood and non-Hollywood tradition. It attempts to define what a schizoanalysis of cinema might be and introduces a variety of ways in which a schizoanalysis might be applied. This collection opens up a fresh field of inquiry for Deleuze scholars and poses an exciting challenge to cinema studies in general. Featuring some of the most important cinema studies scholars working on Deleuze and Guattari today, Deleuze and the Schizoanalysis of Cinema is a cutting edge collection that will set the agenda for future work in this area.
Contributors include: Gregory Flaxman, Amy Herzog, Joe Hughes, Gregg Lambert, Patricia MacCormack, Bill Marshall, David Martin-Jones, Elena Oxman, Patricia Pisters, Anna Powell and Mark Riley.
Publisher Continuum, 2008
ISBN 1847061273, 9781847061270
159 pages
PDF (updated on 2012-7-15)
Comment (0)Patricia Pisters: The Matrix of Visual Culture. Working with Deleuze in Film Theory (2003)
Filed under book | Tags: · aesthetics, cinema, cyborg, deterritorialization, film, film theory, immanence, rhizome, time-image, visual culture
This book explores Gilles Deleuze’s contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
Publisher Stanford University Press, 2003
Cultural Memory in the Present series
ISBN 0804740283, 9780804740289
303 pages
review (Patricia MacCormack, Senses of Cinema)
PDF (updated on 2012-7-14)
Comment (0)Fredric Jameson: The Cultural Turn: Selected Writings on the Postmodern, 1983-1998 (1998)
Filed under book | Tags: · aesthetics, capitalism, critical theory, cultural production, deterritorialization, marxism, modernism, philosophy, postmodern, postmodernism, theory
Fredric Jameson, a leading voice on the subject of postmodernism, assembles his most powerful writings on the culture of late capitalism in this essential volume. Classic insights on pastiche, nostalgia, and architecture stand alongside essays on the status of history, theory, Marxism, and the subject in an age propelled by finance capital and endless spectacle. Surveying the debates that blazed up around his earlier essays, Jameson responds to critics and maps out the theoretical positions of postmodernism’s prominent friends and foes.
Publisher Verso, 1998
ISBN 1859841821, 9781859841822
Length 206 pages
PDF (updated on 2012-11-3)
Comment (1)