Nathan Ensmenger: The Computer Boys Take Over: Computers, Programmers, and the Politics of Technical Expertise (2010)

25 May 2013, dusan

Like all great social and technological developments, the “computer revolution” of the twentieth century didn’t just happen. People—not impersonal processes—made it happen. In The Computer Boys Take Over, Nathan Ensmenger describes the emergence of the technical specialists—computer programmers, systems analysts, and data processing managers—who helped transform the electronic digital computer from a scientific curiosity into the most powerful and ubiquitous technology of the modern era. They did so not as inventors from the traditional mold, but as the developers of the “software” (broadly defined to include programs, procedures, and practices) that integrated the novel technology of electronic computing into existing social, political, and technological networks. As mediators between the technical system (the computer) and its social environment (existing structures and practices), these specialists became a focus for opposition to the use of new information technologies. To many of their contemporaries, it seemed the “computer boys” were taking over, not just in the corporate setting, but also in government, politics, and society in general.

Ensmenger follows the rise of the computer boys as they struggled to establish a role for themselves within traditional organizational, professional, and academic hierarchies. He describes the tensions that emerged between the craft-centered practices of vocational programmers, the increasingly theoretical agenda of academic computer science, and the desire of corporate managers to control and routinize the process of software development. In doing so, he provides a human perspective on what is too often treated as a purely technological phenomenon.

Publisher MIT Press, 2010
History of Computing series
ISBN 0262302829, 9780262302821
320 pages

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Dorothy Stein: Ada: A Life and a Legacy (1987)

16 May 2013, dusan

In this engrossing biography, Dorothy Stein strips away the many layers of myth surrounding Ada Lovelace’s reputation as the inventor of the science of computer programming to reveal a story far more dramatic and fascinating than previous accounts have indicated. Working with original sources, Stein clears up a number of puzzles and misinterpretations of Ada’s life and activities.

Augusta Ada Byron, Countess of Lovelace, was the only daughter of the poet Lord Byron and the close friend and associate of a number of the foremost scientific, literary, and artistic figures of the early Victorian period. She enjoys a growing reputation today for her report on Charles Babbage’s Analytical Engine—considered to be the first computer. Yet Stein shows how the often self-serving Babbage conspired to create the legend, using the Countess to promote his projects and make exaggerated claims for his engine. By placing Lady Lovelace’s report in the social and cultural context in which it was written, she finds that, far from being a clear and masterly exposition of the structure and logic of the computer, it was a rather mystical tract that dwelt on the inventor’s outdated philosophy of mathematics, and his mechanistic view of theology and the workings of capitalist economics.

Ada’s own life is vividly told, often in her own words, as Stein weaves into her narrative excerpts from letters, memoirs, and little-known documents to create an account that is at once black comedy, detective story, psychological drama, and scientific explanation. She examines the barriers and opportunities that Ada faced as she strove to develop her ambitions and search for truths that would free her of that shadow of her mysterious father and her overbearing and manipulative mother.

Stein reveals a turbulent and complex woman who tries to run away, who marries and bears three children, attempts to bury herself in the study of mathematics, and to find herself in a career in music or in writing. Ada corresponds and associates with men as diverse as Dickens, Chadwick, Quetelet, and Wheatstone. She sickens and attempts to find the cause of her malady by exploring the fringes of several sciences. Her interest in the use of electricity to treat nervous disorders involves her in the controversies over mesmerism and phrenology, and turns her from Babbage to Faraday and to Andrew Crosse, the “electrician” whose work served as the model for Frankenstein. With Ada, Stein examines the roots of the fear, fascination, and mystic awe with which we still regard the impact of high technology upon ordinary life.

Publisher MIT Press, 1987
History of Computing Series
ISBN 0262691167, 9780262691161
321 pages

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Jon Gernter: The Idea Factory: Bell Labs and the Great Age of American Innovation (2012)

7 May 2013, dusan

“High-handed corporate monopoly and high-minded national treasure, the American Telephone and Telegraph Company (AT&T) was a unique project of America’s pragmatism and for decades the envy of the world in extending low-cost local telephone service. At the heart of AT&T was its R&D unit, Bell Laboratories, the world’s greatest entity of its kind, and a giant manufacturing arm, Western Electric.

The Idea Factory is the first study of Bell Labs that puts its history in its full organizational, political, and administrative context. AT&T was a company striving to expand and maintain a privileged empire under a government that saw it alternatively as a trusted military/industrial partner and an anticompetitive threat. This ambiguous embrace, New York Times Magazine writer Jon Gertner suggests, inadvertently encouraged a culture that combined a gifted and diverse workforce with a long-term outlook, creating the foundations of a new information economy, which in turn made radical changes in the charter of the parent company inevitable.

Gertner’s story is the interaction between three leaders of Bell Labs in its critical years—Mervin Kelly, Jim Fisk, and William Oliver Baker—and three of its greatest scientific minds: William Shockley, Claude Shannon, and John Pierce.” (from a review by Edward Tenner)

Publisher The Penguin Press, New York, 2012
ISBN 1594203288, 9781594203282
422 pages
via Steve McLaughlin

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