Marshall McLuhan, et al.: Verbi-Voco-Visual Explorations (1967)

Revised edition of Explorations magazine, No. 8 (Oct 1957).

With additional contributions by V. J. Papanek, J. B. Bessinger, Marshall McLuhan, Karl Polanyi, Carol C. Hollis, David Hogg, Jack Jones
Publisher Something Else Press, New York/Frankfurt/Villefranche-sur-Mer, 1967
61 pages
via aphasic-letters.com

more information

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Aleksandra Sekulić (ed.): Media Archaeology: The Nineties (2009)

Media Archaeology is a long term research and program project, initiated in Archive of alternative film and video in “Students’ City” Cultural Center in Belgrade, programs initially hosted by Academic Film Center in 2006. Dealing with media forms as symptoms of social phenomena the team of the project presented this research through a dynamic program model of screening and discussion between two hosts with participation of the audience, which turned out to be a right model to establish a communication with the generation who hadn’t have a chance to experience the appearance and transformation of particular media phenomena.

In 2007, the series of lectures which embraced particular media forms from the history of media production of Socialist Federal Republic of Yugoslavia, with a special program dedicated to the translation of Western pop culture in Asia, the program concept enabling communication with the younger audience, with creating an insight into their perception of contemporary media forms was established, and also opened a call for collecting material for a media archive.

In 2008, with the support of the ministry of culture and media of the Republic of Serbia, a project Media Archaeology: The Nineties was initiated, and focused on analysis of the models used for media coverage and shaping of the disastrous social crisis of the 1990’s and to remind of the depth and the long term influences of the changes still visible in media production.

Project team: Boško Prostran, Jovan Bačkulja, Stevan Vuković, Aleksandra Sekulić, Ivica Đorđević, Nebojša Petrović
Translation: Vesna Jovanović, Aleksandra Sekulić, Greg de Cuir
Publisher: Center for cultural decontamination; with Archive of alternative film and video, “Students’ City” Cultural Center, Belgrade, September 2009
35 pages

authors and project (incl. video archive)

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Peter Watkins: Notes on The Media Crisis (2010)

Peter Watkins (Norbiton, United Kingdom, 1935) gained critical recognition in the sixties as a result of the scandal arising from the BBC’s boycott against his film The War Game. Nevertheless, although he continued to produce a series of essential, radical works that did not fit within conventional film or adhere to the timing standards of mainstream cinema, his films where no longer mentioned or taken into account as key works in debates on political commitment and the cinematic image. Peter Watkins’s last work, La commune (1999) represents, among many other things, a curious rereading of the relationship between film and the discourses of history, by means of the rupture of the illusion of representation through the blurring of the boundary that usually separates actors from the characters they play.

In Spring 2010, the MACBA presented a retrospective on Peter Watkins, which reviews his contribution to contemporary film and, in particular, his status as a pioneer of docudrama and false documentary.

Edited by Vida Urbonavicius
Publisher MACBA, Barcelona, 2010
Quaderns portàtils (Portable Notebooks) series
ISSN: 1886-5259
14 pages

publisher

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