Steven Shaviro: Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales (2010)

Steven Shaviro: “The new issue (14.1) of the open-access journal Film-Philosophy is now online.

Featured in this issue as an ‘extended article’ (it comes out to 100 pages!) is my latest: Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales.

The article is freely available for download; it comprises about two thirds of my forthcoming book Post-Cinematic Affect, appearing sometime later this year from Zero Books. (The book version will include two additional chapters: one on Neveldine/Taylor’s Gamer, and a general conclusion).” (from author’s blog)

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Jacques Barzun: Darwin, Marx, Wagner: Critique of a Heritage, 2nd ed (1941–)

The nomination of Wagner rather than Freud in the trinity of emblematic modern minds is a sign of Barzun’s profound interest in music and the arts. He argued that these men achieved their reputations by catching the spirit of the age, like surfers on a wave, backed by the formidable public relations exercises mounted by their followers . This earned them the status of intellectual icons despite their lack of originality and the significant flaws in their systems. He described in some detail how all the leading ideas of evolutionary theory, socialism and the leading role of the artist were commonplace for decades before the big three started work.

Barzun was especially critical of the way that their adherents promoted determinism and scientism, with truly disastrous political consequences in the twentieth century. In addition to the shortcomings of their systems, two of the three titans were monstrously egocentric and unprincipled exploiters of their friends and denigrators of their enemies. These personal characteristics became prominent in the modus operandi of their followers, setting the tone for bad manners in transactions between intellectuals that have persisted to the present time.

Reprint of the revised 2nd edition, 1958, with a new Preface, 1981
Publisher University of Chicago Press
ISBN 0226038599
373 pages

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Christopher Small: Musicking: The Means of Performing and Listening (1998)

Extending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. In this new book, Small outlines a theory of what he terms “musicking,” a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower.

Using Gregory Bateson’s philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This engaging and deftly written trip through the concert hall will have readers rethinking every aspect of their musical worlds.

Publisher    Wesleyan University Press, 1998
ISBN    0819522570, 9780819522573
Length    230 pages

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