Vito Campanelli: Web Aesthetics: How Digital Media Affect Culture and Society (2010)
Filed under book | Tags: · aesthetics, computing, digital media, internet, media, media culture, memes, networks, new media, remix, spam, subjectivity, technology, theory, virus, web
“We live in a world of rapidly evolving digital networks, but within the domain of media theory, which studies the influence of these cultural forms, the implications of aesthetical philosophy have been sorely neglected. Vito Campanelli explores network forms through the prism of aesthetics and thus presents an open invitation to transcend the inherent limitations of the current debate about digital culture.
The web is the medium that stands between the new media and society and, more than any other, is stimulating the worldwide dissemination of ideas and behaviour, framing aesthetic forms and moulding contemporary culture and society.
Campanelli observes a few important phenomena of today, such as social networks, peer-to-peer networks and ‘remix culture’, and reduces them to their historical premises, thus laying the foundations for an organic aesthetic theory of digital media.”
Publisher NAi Publishers, Rotterdam; in association with the Institute of Network Cultures at the Hogeschool van Amsterdam, University of Applied Sciences, October 2010
Studies in Network Cultures series
ISBN 9056627708, 9789056627706
276 pages
Reviews: Greg J Smith (Rhizome, 2011), Alessandro Ludovico (Neural, 2011), Regine Debatty (We Make Money Not Art, 2011).
Book website
Interview with the author (Geert Lovink)
Interview with the author (Pasquale Napolitano, Digicult)
PDF, PDF (25 MB, updated on 2019-3-24)
Comments (7)Fibreculture journal, 18: trans (2011)
Filed under journal | Tags: · ecology, internet, media archeology, network culture, new media, software, tactical media, web
“It is now perhaps a commonplace that digital, networked and informational media are extremely transient. They diversify in form and function at a dizzying rate. At the same time, they transit and fuse “social” and “natural” differences in a manner which reconfigures all the worlds involved. It is also perhaps a commonplace to suggest that some established powers have found it difficult to come to grips with this (although this is perhaps beginning to change). For many, from seriously challenged newspaper proprietors to established media disciplines, it might be time to pause for breath, if only for a moment—to regroup and adapt established practices and ideas, to count the survivors from among the old media worlds of just a few years ago.
While occasionally sympathetic, issue 18 of the Fibreculture Journal questions this approach. If we pause for breath, it is to take in the new air. This issue draws on the accelerated evolutions of media forms and processes, the microrevolutions in the social (and even the natural sciences) that dynamic media foster, even the way in which “new” media lead us to reconsider the diversity of “old” media species. Summed up simply here under the sign/event of the “trans,” this issue catalyzes new concepts, accounts of and suggestions for new practices for working with all these processes.”
Articles:
Petra Gemeinboeck and Rob Saunders: Other Ways Of Knowing: Embodied Investigations of the Unstable, Slippery and Incomplete
John Tinnell: Transversalising the Ecological Turn: Four Components of Felix Guattari’s Ecosophical Perspective
Vince Dziekan: Anxious Atmospheres, and the Transdisciplinary Practice of United Visual Artists
Kristoffer Gansing: The Transversal Generic: Media-Archaeology and Network Culture
Christoph Brunner and Jonas Fritsch: Interactive Environments as Fields of Transduction
Troy Rhoades: From Representation to Sensation: The Transduction of Images in John F. Simon Jr.’s ‘Every Icon’
Michael Dieter: The Becoming Environmental of Power: Tactical Media After Control
Simon Mills: Concrete Software: Simondon’s mechanology and the techno-social
Fenwick McKelvey: A Programmable Platform? Drupal, Modularity, and the Future of the Web
Edited by Andrew Murphie, Adrian Mackenzie and Mitchell Whitelaw
Publisher Fibreculture Publications/The Open Humanities Press, Sydney, Australia, October 2011
ISSN 1449-1443
Jump Cut: A Review of Contemporary Media, No. 1-54 (1974-2011)
Filed under journal | Tags: · cinema, experimental film, feminism, film, film criticism, film theory, left, media criticism, media theory, new media, politics, video
JUMP CUT: A REVIEW OF CONTEMPORARY MEDIA is run on a nonprofit basis by its staff and is not affiliated with or supported by any institution. Begun in 1974 as a film publication, JUMP CUT now publishes material on film, television, video, new media, and related media and cultural analysis. As a print publication till 2001, JUMP CUT circulated 4000 copies per issue in North America and internationally to a wide range of readers including students, academics, media professionals, political activists, radicals interested in culture, film and video makers, and others interested in the radical analysis of mass culture and opposition media. Now, with free online access, the readership is much larger and more international.
Editors: John Hess, Chuck Kleinhans, Julia Lesage
Licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License.
View online (Current issue; HTML articles)
View online (Back issues; HTML articles)