Russian Dada 1914-1924 (2018) [EN, ES]

“This exhibition explores Russian avant-garde art through the perspective of the Anti-art canons associated with the international Dada movement.

The selected works reveal the intentions of many artists to take part in projects of public unrest with connotations in close proximity to Marxism and to adopt rejection, irony, the absurd and chance as the basic principles underpinning their artistic manifestations.”

With essays by Margarita Tupitsyn, Victor Tupitsyn, Olga Burenina-Petrova, and Natasha Kurchanova.

Edited by Margarita Tupitsyn
Publisher Museo Nacional Centro de Arte Reina Sofía, Madrid, and MIT Press, 2018
ISBN 9788480265737, 8480265736
342 pages

Exhibition
Publisher
WorldCat

English: PDF, PDF (30 MB)
Spanish: PDF, PDF (30 MB)

Ardengo Soffici: BÏF§ZF+18: Simultaneità e chimismi lirici (1915–) [Italian]

“BÏF§ZF+18 Simultaneità e Chimismi lirici [BÏF§ZF+18. Simultaneity and Lyrical Chemistry] is a poetry book and artist’s book published in 1915 by the Italian futurist Ardengo Soffici. Despite its rarity, the book has become famous as one of the finest examples of futurist ‘words-in-freedom’, and has been described as ‘absolutely the most important book that came out of Florentine Futurism’.

The book is divided into two roughly equal halves; the first, Simultaneità, contains 12 ‘simultaneous’ poems laid out in standard typography; the second section, Chimismi lirici, contains 10 poems that use multiple fonts, signs, adverts, brand names, repetition and onomatopoeiac devices that are contemporaneous to Marinetti‘s similar experiments in Zang Tumb Tumb, and prefigure Marinetti’s later, more abstract Les mots en libertés futuristes, 1919.” (Wikipedia)

First published by Voce, Firenze, 1915.

New, expanded edition
Publisher Vallecchi, Firenze, 1919
110 pages
via Bibliothèque Kandinsky

Commentary: Dirk Vanden Berghe (2012).

WorldCat

PDF (25 MB)

Rab-Rab: Journal for Political and Formal Inquiries in Art, 2 (2015)

“The second issue of Rab-Rab is in two volumes, all together in 500 pages. The focus of the second issue is ‘noise against culture.’ The contributions deal with the formal theory of noise, politics of contradictions, the device of estrangement, materialist film, music and violence, Futurism, Russian avant-garde, improvisation, void, heterophonies, swearwords, communism, ideologies of marriage, class wars and electricity.

Departing from our programme based on the understanding of art practice as a confrontation between formal and political inquiries, our aim in this issue is to use noise as the name for this difficult, disturbing, loud and coercive exploration. In many cases the formal and political aspects of noise are two separate things: the former is seen as an issue of information or perception, whereas the latter is usually reduced to a metaphor of spontaneity. But if we change these parameters of discussing the noise from measurable coefficients of failed communication, or from elusive metaphors of contingencies, towards the conceptual references related to ideology and class struggles, then what is understood as noise turns into something else. It can become a valid concept of inquiry, refusing to be pinpointed to conventional academic banalities silly phenomenological artistic fantasies immersed in.”

Contributors to volume A: Dror Feiler, Mazen Kerbaj, Ozren Pupovac, Ben Watson, Michel Chevalier, Jean-Claude Moineau, Taneli Viitahuhta, Henrik Heinonen, Grégoire Rousseau, Bruno Besana, Ivana Momčilović, and François Nicolas.

Contributors to volume B: Darko Suvin, Anthony Iles, Grupa za Konceptualnu Politiku, Mattin, Jyrki Siukonen, Rahel Puffert, Martin Krenn, Jaakko Karhunen, Max Ryynänen, Antti Eskelinen – Eze, Gert Raeithel, Aeron Bergman, Alejandra Salinas, Milica Tomić, Christine Delphy, Peter Gidal, Giovanna Esposito-Yussif, Kari Yli-Annala and Sezgin Boynik.

Edited by Sezgin Boynik
Publisher Rab-Rab Press, Helsinki, Sep 2015
ISSN 2342-4885
278 & 278 pages

Publisher (Issue 2A)
Publisher (Issue 2B)

Issue 2A: PDF, PDF
Issue 2B: PDF, PDF