Friedrich Kittler: Optical Media: Berlin Lectures 1999 (2002–)

“This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation.

After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or “picture-frame” stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations.

In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.”

Publisher Merve, Berlin, 2002
Internationaler Merve Diskurs series, 250
ISBN 3883961833, 9783883961835
331 pages

English edition
Translated by Anthony Enns
With an introduction by John Durham Peters
Publisher Polity, 2009
ISBN 0745640915, 9780745640914
vi+250 pages

Reviews: Anthony Enns (Electronic Book Review 2004), Nicholas Gane and Hannes Hansen-Magnusson (Theory Culture Society 2006), Kiss (2006, HU), Bohár (HU), Jussi Parikka (2011).

Publisher (DE)
Publisher (EN)
Worldcat (DE)
Worldcat (EN)

Optische Medien. Berliner Vorlesung 1999 (German, 2002, added on 2016-8-13, removed on 2017-8-10 upon request from publisher – read first two chapters)
Optical Media: Berlin Lectures 1999 (English, trans. Anthony Enns, 2009)

Tom Standage: The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century’s On-line Pioneers (1998)

For thousands of years people had communicated across distances only as quickly as the fastest ship or horse could travel. Generations of innovators tried to develop speedier messaging devices. Then, in the mid-1800s, a few extraordinary pioneers at last succeeded. Their invention–the telegraph–nullified distance and shrank the world quicker and further than ever before, or since. This book tells the story of the telegraph’s creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it, from the eighteenth-century French scientist Jean-Antoine Nollet to Samuel F. B. Morse and Thomas Edison. By 1865 telegraph cables spanned continents and oceans, revolutionizing the ways countries dealt with one another, giving rise to creative business practices and new forms of crime. Romances blossomed over the wires. The benefits of the network were hyped by advocates and dismissed by skeptics. Government regulators tried and failed to control the new medium. And attitudes toward everything from news gathering to war had to be completely rethought.

Publisher Walker & Company, New York, 1998
ISBN 0802713424, 9780802713421
227 pages

author
wikipedia
publisher
google books

PDF (1998 edition, PDF)
PDF (2007 edition, EPUB)

Peter F. Drucker: Adventures of a Bystander (1978/1994)

“Regarded as the most influential and widely read thinker on modern organizations and their management, Peter Drucker has also established himself as an unorthodox and independent analyst of politics, the economy, and society. Adventures of a Bystander is Drucker’s rich collection of autobiographical stories and vignettes, in which this legendary figure paints a portrait of his remarkable life, and of the larger historical realities of his time.

In a style that is both unique and engaging, Drucker conveys his life story – from his early teen years in Vienna through the interwar years in Europe, the New Deal era, World War II, and the postwar period in America-through intimate profiles of a host of fascinating people he’s known through the years. Their personal histories are, as Drucker tells us, the beads for which his own life serves as the string.

An amazing pageant of characters, both famous and otherwise, springs from these pages, illuminating and defining one of the most tumultuous periods in world history. Along with bankers and courtesans, artists, aristocrats, prophets, and empire-builders, we meet members of Drucker’s own family and close circle of friends, among them such prominent figures as Sigmund Freud, Henry Luce, Alfred Sloan, John Lewis, Buckminster Fuller, and Marshall McLuhan.

A brief encounter with Freud becomes the catalyst for an absorbing, multidimensional description of the economics, politics, and social psychology of pre-World War II Europe. Drucker introduces us to Fritz Kraemer, a brilliant, monocle-wearing eccentric who became an influential mentor to the young Henry Kissinger. His personal memoir of Henry Luce documents the development of modern journalism, while in “The Indian Summer of Innocence,” he rescues and preserves the very heart of the American experience during the last New Deal years before World War II.”

Originally published in 1978 by Harper & Row, Publishers
Publisher Transaction Publishers, 1994
ISBN 1412814103, 9781412814102
344 pages

commentary (Michael Hohl)

Publisher

EPUB