Shanthi Kalathil, Taylor C. Boas: Open Networks, Closed Regimes: The Impact of the Internet on Authoritarian Rule (2003)

As the Internet diffuses across the globe, many have come to believe that the technology poses an insurmountable threat to authoritarian rule. Grounded in the Internet’s early libertarian culture and predicated on anecdotes pulled from diverse political climates, this conventional wisdom has informed the views of policy makers, business leaders, and media pundits alike. Yet few studies have sought to systematically analyze the exact ways in which Internet use may lay the basis for political change.

In Open Networks, Closed Regimes, the authors take a comprehensive look at how a broad range of societal and political actors in eight authoritarian and semi-authoritarian countries employ the Internet. Based on methodical assessment of evidence from these cases—China, Cuba, Singapore, Vietnam, Burma, the United Arab Emirates, Saudi Arabia, and Egypt—the study contends that the Internet is not necessarily a threat to authoritarian regimes.

Publisher Carnegie Endowment for International Peace, Washington DC, 2003
Global Policy Books series
ISBN 0870031945, 9780870031946
217 pages

publisher
google books

PDF

Stan VanDerBeek: Violence Sonata / The History of Violence in America (1970)

Stan VanDerBeek was part of the “Rockefeller Artists-in-Television” residency program at Boston public television station WGBH from 1969–1970, during which time he produced the simulcast television program Violence Sonata. The program, directed by David Atwood and Fred Barzyk, was transmitted simultaneously on both Channels 2 and 44 on January 12, 1970, with the suggestion that viewers place two television sets side-by-side. Following sonata form, the piece is composed of three segments: “Man,” “Man to Woman,” and “Man to Man.” The simultaneous broadcast consisted of material VanDerBeek composed from previous films, archival and newsreel footage, video shot in Boston for the show, and filmed collages, further manipulated and enhanced through overlays and color saturation. Sections of the broadcast were played before a live studio audience, with actors also performing a play written by VanDerBeek for the show. Home viewers were encouraged to call in their responses to the program between the acts. The series of collages entitled The History of Violence in America was conceived as layouts for reproduction and publication in a booklet to accompany the broadcast.

via stanvanderbeek.com

Commentary: Melissa Ragain (X-TRA, 2012).

Video excerpt (Violence Sonata)
PDF (Violence Sonata – script, photo documentation, sketches, collages, reviews)
PDF (The History of Violence in America, 22 pages)

Richard Grusin: Premediation: Affect and Mediality After 9/11 (2010)

The terrorist attacks of 11 September 2001 have been called the world’s first live global media event. Responding to the immediacy and collective shock produced by live coverage of the collapse of the Twin Towers, print, televisual, and networked media have become obsessed with the pre-mediation of potential futures.

In an era of heightened securitization, US and global media have attempted to prevent a recurrence of such media trauma by ensuring that no future will be able to emerge into the present that has not already been premeditated in the past. Socially networked US and global media work to premediate collective affects of anticipation and connectivity, while also perpetuating low levels of apprehension or fear.

Following up on the groundbreaking work of media theory Remediation: Understanding New Media, Grusin develops the logic of premediation in terms of such concepts as mediality, the affective life of media, and the anticipation of security.

Publisher Palgrave Macmillan, 2010
ISBN 0230242529, 9780230242524
240 pages

review (Jussi Parikka, Leonardo)

author
publisher
google books

PDF