Walter Benjamin: The Arcades Project (1982/1999) [German, English]
Filed under book | Tags: · 1800s, advertising, bourgeoisie, city, commodification, critical theory, cultural criticism, fashion, flaneur, history, literary criticism, literature, paris, photography, poetry
“To great writers,” Walter Benjamin once wrote, “finished works weigh lighter than those fragments on which they labor their entire lives.” Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project is a monumental ruin, meticulously constructed over the course of thirteen years—“the theater,” as Benjamin called it, “of all my struggles and all my ideas.”
Focusing on the arcades of nineteenth-century Paris—glass-roofed rows of shops that were early centers of consumerism—Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as “Fashion,” “Boredom,” “Dream City,” “Photography,” “Catacombs,” “Advertising,” “Prostitution,” “Baudelaire,” and “Theory of Progress.” His central preoccupation is what he calls the commodification of things—a process in which he locates the decisive shift to the modern age.
The Arcades Project is Benjamin’s effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed “true history” that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by “progress,” Benjamin finds the lost time(s) embedded in the spaces of things.
German edition: Gesammelte Schriften, Bd 5: Das Passagen-Werk
Edited by Rolf Tiedemann
Publisher Suhrkamp Verlag, Frankfurt am Main, 1982
ISBN 3518285351
1354 pages
English edition
Translated by Howard Eiland and Kevin McLaughlin
Publisher The Belknap Press of Harvard University Press, Cambridge/MA and London, 1999
ISBN 067404326X, 9780674043268
1073 pages
Das Passagen Werk (German)
The Arcades Project (English)
See also Susan Buck-Morss’ The Dialectics of Seeing: Walter Benjamin and the Arcades Project (1989), and Benjamin at Monoskop (incl. source bibliography).
Comment (1)Roger Behrens: Kulturindustrie (2004) [German]
Filed under book | Tags: · critical theory, culture industry, dialectic
Beschränkte sich die Kritik der Kulturindustrie, die Adorno und Horkheimer in ihrer Gemeinschaftsarbeit »Dialektik der Aufklärung« entwickelt haben, darauf, dass sie bloß den Kommerz und Ausverkauf der Kultur monierten? Und erklärten sie die Massen für zu dumm, das Unterhaltungsangebot als stumpfsinnigen Betrug zu durchschauen? Entgegen dieser gängigen Lesart der Kulturindustriethese interpretiert Roger Behrens den Begriff als zentrale Kategorie einer kritischen Theorie der Gesellschaft. Die Kritik der Kulturindustrie bewahrt ihre Aktualität angesichts der neueren Entwicklung – Stichwort »Popkultur« – als radikale Diagnose einer von der ökonomischen Verwertungslogik bestimmten Gesellschaft. Die kritische Theorie der Kulturindustrie konstatiert, dass von der Kulturindustrie durchaus mehr Befriedigung und Glück erwartet werden darf, als heute dem Publikum vermittelt wird. Das Publikum ist keineswegs zu dumm, um sich mit den angebotenen Kulturwaren zu bescheiden, sondern verfügt über genügend Phantasie, sich eine bessere Welt vorzustellen, die freilich mehr menschliches Glück garantiert als die durch das abstrakte Profitmotiv vermittelte Ideologie der Kulturindustrie. – Nicht die Kultur gilt es abzuschaffen, sondern die Gesellschaft selbst muss verändert werden, um das Recht der Menschen auf gute Unterhaltung zu gewährleisten.
Publisher Transcript, 2004
Issue 15 of Bibliothek dialektischer Grundbegriffe
ISBN 3899422465, 9783899422467
50 pages
Axel Honneth: Critical Essays: With a Reply by Axel Honneth (2011)
Filed under book | Tags: · autonomy, critical theory, critique, intersubjectivity, philosophy
Axel Honneth: Critical Essays brings together a collection of critical interpretations on the work of Axel Honneth, from his earliest writings on philosophical anthropology, his reappraisal of critical theory and critique of post-structuralism, to the development and extension of the theory of recognition, his debate with Nancy Fraser and his most recent work on reification. The book also includes a comprehensive reply by Axel Honneth that not only addresses issues and concerns raised by his critics but also provides significant insights and clarifications into his project overall. The book will be essential reading for all those interested in Honneth’s work, and in critical theory, philosophy and social theory more generally.
Edited and introduced by Danielle Petherbridge
Publisher BRILL, Leiden/Boston 2011
Volume 12 of Social and Critical Theory
ISBN 9004208852, 9789004208858
452 pages