Franco “Bifo” Berardi: The Soul At Work. From Alienation to Autonomy (2009)

18 February 2011, dusan

“Capital has managed to overcome the dualism of body and soul by establishing a workforce in which everything we mean by the Soul—language, creativity, affects—is mobilized for its own benefit. Industrial production put to work bodies, muscles, and arms. Now, in the sphere of digital technology and cyberculture, exploitation involves the mind, language, and emotions in order to generate value—while our bodies disappear in front of our computer screens.

In this, his newest book, Franco “Bifo” Berardi—key member of the Italian Autonomist movement and a close associate of Félix Guattari—addresses these new forms of estrangement. In the philosophical landscape of the 1960s and 1970s, the Hegelian concept of alienation was used to define the harnessing of subjectivity. The estrangement of workers from their labor, the feeling of alienation they experienced, and their refusal to submit to it became the bases for a human community that remained autonomous from capital. But today a new condition of alienation has taken root in which workers commonly and voluntarily work overtime, the population is tethered to cell phones and Blackberries, debt has become a postmodern form of slavery, and antidepressants are commonly used to meet the unending pressure of production. As a result, the conditions for community have run aground and new philosophical categories are needed. The Soul at Work is a clarion call for a new collective effort to reclaim happiness.

The Soul at Work is Bifo’s long overdue introduction to English-speaking readers. This Semiotext(e) edition is also the book’s first appearance in any language.”

Preface by Jason Smith
Translated by Francesca Cadel, Giuseppina Mecchia
Publisher Semiotext(e), 2009
Foreign Agents series
ISBN 1584350768, 9781584350767
229 pages

Reviews: Michael Goddard (Mute, 2009), Lukas Keefer (Metapsychology, 2011), McKenzie Wark (Public Seminar, 2015).

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Alain Badiou: Deleuze: The Clamor of Being (1997–)

18 December 2010, dusan

“A major new voice from France offers a provocative reevaluation of Deleuze’s philosophy.

The works of Gilles Deleuze–on cinema, literature, painting, and philosophy–have made him one of the most widely read thinkers of his generation. This compact critical volume is not only a powerful reappraisal of Deleuze’s thought, but also the first major work by Alain Badiou available in English. Badiou compellingly redefines “Deleuzian,” throwing down the gauntlet in the battle over the very meaning of Deleuze’s legacy.

For those who view Deleuze as the apostle of desire, flux, and multiplicity, Badiou’s book is a deliberate provocation. Through a deep philosophical engagement with his writings, Badiou contends that Deleuze is not the Dionysian thinker of becoming he took himself to be; on the contrary, he is an ascetic philosopher of Being and Oneness. Deleuze’s self-declared anti-Platonism fails–and that, in Badiou’s view, may ultimately be to his credit. “Perhaps it is not Platonism that has to be overturned,” Badiou writes, “but the anti-Platonism taken as evident throughout this entire century.”

This volume draws on a five-year correspondence undertaken by Badiou and Deleuze near the end of Deleuze’s life, when the two put aside long-standing political and philosophical differences to exchange ideas about similar problems in their work. Badiou’s incomparably attentive readings of key Deleuzian concepts radically revise reigning interpretations, offering new insights to even the veteran Deleuze reader and serving as an entrée to the controversial notion of a “restoration” of Plato advocated by Badiou—in his own right one of the most original figures in postwar French philosophy.

The result is a critical tour de force that repositions Deleuze, one of the most important thinkers of our time, and introduces Badiou to English-speaking readers.”

First published as Deleuze: la clameur de l’être, Hachette, Paris, 1997.

Publisher University of Minnesota Press, 2000
Theory Out of Bounds series, 16
ISBN 0816631409, 9780816631407
143 pages

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N. Katherine Hayles: My Mother Was a Computer. Digital Subjects and Literary Texts (2005)

5 May 2010, dusan

We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles’s latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices.

My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: las anguage and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age.

We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet.

Publisher University of Chicago Press, 2005
ISBN 0226321479, 9780226321479
290 pages

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google books

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