Katrin Pahl: Tropes of Transport: Hegel and Emotion (2012)

12 October 2017, dusan

“Intervening in the multidisciplinary debate on emotion, Tropes of Transport offers a fresh analysis of Hegel’s work that becomes an important resource for Pahl’s cutting-edge theory of emotionality. If it is usually assumed that the sincerity of emotions and the force of affects depend on their immediacy, Pahl explores to what extent mediation—and therefore a certain degree of manipulation but also of sympathy—is constitutive of emotionality. Hegel serves as a particularly helpful interlocutor not only because he offers a sophisticated analysis of mediation, but also because, rather than locating emotion in the heart, he introduces impersonal tropes of transport, such as trembling, release, and shattering. ”

Publisher Northwestern University Press, 2012
Creative Commons BY-NC-ND 4.0
ISBN 0810127857, 9780810127852
ix+282 pages

Reviews: Emilia Angelova (Parrhesia, 2014), David H. Kim (Parrhesia, 2014), John McCumber (Parrhesia, 2014), Jason J. Howard (Parrhesia, 2014), Katrin Pahl (response to the 4 reviews, Parrhesia, 2014).

Interview with author (Rorotoko, 2012)

Publisher
OAPEN
WorldCat

PDF

Annie van den Oever (ed.): Technē/Technology: Researching Cinema and Media Technologies (2014)

25 July 2014, dusan

“This fourth title in the series The Key Debates sets out where the term technē comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors – among them André Gaudreault, Geoffrey Winthrop-Young, Martin Lefebvre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie – investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.”

Publisher Amsterdam University Press, Amsterdam, 2014
The Key Debates: Mutations and Appropriations in European Film Studies series
Creative Commons BY NC ND License 3.0
ISBN 9089645713, 9789089645715
413 pages

Publisher
OAPEN

PDF, PDF (4 MB)

Gaston Bachelard: The Poetics of Space (1957–) [FR, DE, EN, ES, IT, PT-BR, RO, RU]

8 May 2014, dusan

Since its first publication in 1957, French philosopher Gaston Bachelard’s Poetics of Space remains one of the most appealing and lyrical explorations of home. Bachelard takes us on a journey, from cellar to attic, to show how our perceptions of houses and other shelters shape our thoughts, memories, and dreams.

Publisher Presses Universitaires de France, Paris, 1957
Third edition, 1961
214 pages

English edition
Translated by Maria Jolas
Publisher The Orion Press, 1964
New edition, Beacon Press, Boston, 1994
With a new Foreword by John R. Stilgoe
ISBN 0807064734
241 pages
via esco_bar

Review: Joan Ockman (Harvard Design Magazine, 1998).

Wikipedia (EN)
Publisher (FR)
Publisher (EN)

La poétique de l’espace (French, 3rd ed., 1957/1961, no OCR)
Poetik des Raumes (German, trans. Kurt Leonhard, 1960)
The Poetics of Space (English, trans. Maria Jolas, 1964/1994)
La poética del espacio (Spanish, trans. Ernestina de Champourcin, 1965/2000)
La poetica dello spazio (Italian, trans. Ettore Catalano, 1975/2006, updated on 2014-11-18)
[A filosofia do não. O novo espírito científico.] A poética do espaço (Brazilian Portuguese, trans. [Joaquim José Moura Ramos, Remberto Francisco Kuhnen], Antônio da Costa Leal and Lídia do Valle Santos Leal, 1978)
Poetica spaţiului (Romanian, trans. Irina Bădescu, 2003)
Poetika prostranstva (Russian, trans. N.V. Kislova, G.V. Volkova and M.Yu. Mikheev, PDF’d HTML, 2004)

Vincent Descombes: Modern French Philosophy (1979–) [EN, ES, GR, CZ, RU]

5 April 2014, dusan

“This is a critical introduction to modern French philosophy, commissioned from one of the liveliest contemporary practitioners and intended for an English-speaking readership. The dominant ‘Anglo-Saxon’ reaction to philosophical development in France has for some decades been one of suspicion, occasionally tempered by curiosity but more often hardening into dismissive rejection. But there are signs now of a more sympathetic interest and an increasing readiness to admit and explore shared concerns, even if these are still expressed in a very different idiom and intellectual context.

Vincent Descombes offers here a personal guide to the main movements and figures of the last forty-five years. He traces over this period the evolution of thought from a generation preoccupied with the ‘three H’s’ – Hegel, Husserl and Heidegger, to a generation influenced since about 1960 by the ‘three masters of suspicion’ – Marx, Nietzsche and Freud. In this framework he deals in turn with the thought of Sartre, Merleau-Ponty, the early structuralists, Foucault, Althusser, Serres, Derrida, and finally Deleuze and Lyotard. The ‘internal’ intellectual history of the period is related to its institutional setting and the wider cultural and political context which has given French philosophy so much of its distinctive character.” (from the back cover, 1980)

First published in French as Le Même et L’Autre, Les Éditions de Minuit, Paris, 1979

English edition
Translated by L. Scott-Fox and J. M. Harding
With a Foreword by Alan Montefiore
Publisher Cambridge University Press, 1980
ISBN 0521296722
192 pages

Review (Robert Young, MLN, 1982)
Review (Alasdair MacIntyre, London Review of Books, 1981)
Interview with the author (Praxis, 2012/2013)

Publisher (EN)

Modern French Philosophy (English, trans. L. Scott-Fox and J. M. Harding, 1980, no OCR)
Lo mismo y lo otro: cuarenta y cinco años de filosofía francesca (1933-1978) (Spanish, trans. Elena Benarroch, 2nd ed., 1982/1988, pp 12-15 missing, no OCR)
Το Ίδιο και το Άλλο: 45 χρόνια γαλλικής φιλοσοφίας 1933-1978 (Greek, trans. Λένα Κασίμη, 1984)
Stejné a jiné: Čtyřicetpět let francouzské filosofie (1933-1978) (Czech, trans. Miroslav Petříček jr, 1995, no OCR)
Sovremennaya frantsuzskaya filosofiya (Russian, trans. M.M. Fedorov, 2000, DJVU)

Timothy Morton: Realist Magic: Objects, Ontology, Causality (2013)

14 October 2013, dusan

“In this book Timothy Morton, an ecologist, literary theorist, and object-oriented philosopher, lures us into a magical night of objects. If things are intrinsically withdrawn, irreducible to their perception or relations or uses, they can only affect each other in a strange region of traces and footprints: the aesthetic dimension. Every object sparkles with absence. Sensual things are elegies to the disappearance of objects. Doesn’t this tell us something about the aesthetic dimension, why philosophers have often found it to be a realm of evil?

Object-oriented ontology (OOO) offers a startlingly fresh way to think about causality that takes into account developments in physics since 1900. Causality, argues OOO, is aesthetic. Morton explores what it means to say that a thing has come into being, that it is persisting, and that it has ended. Drawing from examples in physics, biology, ecology, art, literature and music, he demonstrates the counterintuitive yet elegant explanatory power of OOO for thinking causality.”

Publisher Open Humanities Press, 2013
New Metaphysics series
Creative Commons BY-SA 3.0 License
ISBN 9781607852025
228 pages

Review: Nathan Brown (Parrhesia, 2013).

Publisher

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