Furball 0: On Wikileaks, Bitcoin, Copyleft: Three Critiques of Hacktivism (2013)

“While most expressions of hacktivism lack this revolutionary vigour expressed in one of the later communiques by now infamous hacking collective AntiSec, hacktivism is widely appreciated for its radical potential. Wikileaks and hacking crews are considered by some as anarchist special forces striking blows against the forces of domination. Bitcoin is regarded as a practical approach to break the power of capital. Free software is thought of as a model for future production beyond capitalism. We disagree.

This booklet collects our writings on activism in the digital realm produced over the last few years. In our piece on Wikileaks — which first appeared in Kittens #1 — we critique Wikileaks’ appreciation of the bourgeois-democratic state which persecutes it. The article on Bitcoin — which previously appeared in Mute Magazine Vol. 3, No. 3 — deals with the political economy of the digital currency and critiques the Libertarian ideology driving it. Finally, our piece on free software and other digital commons — which has not previously been published — portrays how ‘copyleft’ software licences are still expressions of appreciation for the social conditions we are forced to live under.

All three pieces critique both the fallacies inherent in the reasoning behind these projects as well as left-wing hopes attached to them. As such, it might strike the reader as arrogant sneering from the sidelines. However, this is not the intent of this work. We hold that the project of transforming the existing social conditions must start from a correct understanding of these conditions to avoid reproducing them. In this spirit, this booklet is an invitation to critique.” (from the Foreword)

Publisher The Wine & Cheese Appreciation Society of Greater London, London, January 2013
46 pages
via Marcell, via Anthony

publisher

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EPUB
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Craig Dworkin: Unheard Music (2010)

American critic Craig Dworkin reviews almost one hundred compositions and performances of silent music — from Cage’s 4’33” to Büchler’s 3’34” — in a comprehensive survey of the best music you’ll never hear.

Published to accompany a film by Simon Morris: Pavel Büchler: Making Nothing Happen.

Publisher information as material, 2010
30 pages

publisher (incl. DVD)

PDF (updated on 2014-9-12)

Florian Hecker: Speculative Solution (2011/2012) [EN, FR, JP, FLAC]

Speculative Solution is a CD and book with contributions by Florian Hecker, Elie Ayache, Robin Mackay and Quentin Meillassoux. Originally commissioned by Urbanomic and developed over the year 2010, this collaborative project brings together Hecker’s sonic practice and psychoacoustic experimentation with philosopher Quentin Meillassoux’s concept of ‘hyperchaos’ – the absolute contingency of the laws of nature.

In an apparent departure from Hecker’s previous release Acid in the Style of David Tudor (eMEGO 094, 2009), the four titles featured in Speculative Solution contain a series of micro-chronics and sequences of auditory contingencies, ranging from extreme stasis to the most dynamic intensities, crisp dramatisations of what Meillassoux calls in his text ‘extro-science worlds’.

As Mackay states in his contribution to the book, Hecker’s composition “participates in a circuit in which it, the accompanying texts, and diverse other objects, enter into a perpetual catalysis that must annihilate all priority, representation, reference, and even entity.’. Both ‘scripture and prescription’, Speculative Solution invites its users to integrate its sonic and textual components, as they enter into an accelerative cycle, becoming “truly ‘literalist’ marks which have no reason to be as they are, and which could have been – and still could be, at every moment – otherwise”. With Speculative Solution Hecker proposes that the concepts of absolute contingency and hyperchaos offer a rigorous new alternative to the employment of chance and randomness in avant-garde composition.

Japanese version was produced on the occasion of the exhibition Tokyo Art Meeting (III) Art & Music – Search for New Synethesia, October 2012 – February 2013, Museum of Contemporary Art Tokyo.

English/French edition
Publisher Mute Song, 2011
Editions Mego 118 / Urbanomic UF13
Edited by Robin Mackay
159 pages

Japanese edition: Speculative Solution and 3 Channel Chronics
Translated by Natsuko Jimbo
ISBN 9780956775030
81 pages

review (Brainwashed)
review (Ian Latta, TinyMixTapes)
review (Adam Strohm, Dusted)

publisher (EN)
publisher (JP)
exhibition in Tokyo (EN)

Download (English/French, removed on 2013-2-7 upon request of the publisher)
PDF (Japanese, no OCR)
Download (full album in FLAC, removed on 2013-2-7 upon request of the publisher)
related: Florian Hecker: Chimerization (2012)