Filed under booklet, sound recording | Tags: · contingency, music, philosophy, psychoacoustics, sound recording, synaesthesia
Speculative Solution is a CD and book with contributions by Florian Hecker, Elie Ayache, Robin Mackay and Quentin Meillassoux. Originally commissioned by Urbanomic and developed over the year 2010, this collaborative project brings together Hecker’s sonic practice and psychoacoustic experimentation with philosopher Quentin Meillassoux’s concept of ‘hyperchaos’ – the absolute contingency of the laws of nature.
In an apparent departure from Hecker’s previous release Acid in the Style of David Tudor (eMEGO 094, 2009), the four titles featured in Speculative Solution contain a series of micro-chronics and sequences of auditory contingencies, ranging from extreme stasis to the most dynamic intensities, crisp dramatisations of what Meillassoux calls in his text ‘extro-science worlds’.
As Mackay states in his contribution to the book, Hecker’s composition “participates in a circuit in which it, the accompanying texts, and diverse other objects, enter into a perpetual catalysis that must annihilate all priority, representation, reference, and even entity.’. Both ‘scripture and prescription’, Speculative Solution invites its users to integrate its sonic and textual components, as they enter into an accelerative cycle, becoming “truly ‘literalist’ marks which have no reason to be as they are, and which could have been – and still could be, at every moment – otherwise”. With Speculative Solution Hecker proposes that the concepts of absolute contingency and hyperchaos offer a rigorous new alternative to the employment of chance and randomness in avant-garde composition.
Japanese version was produced on the occasion of the exhibition Tokyo Art Meeting (III) Art & Music – Search for New Synethesia, October 2012 – February 2013, Museum of Contemporary Art Tokyo.
Publisher Mute Song, 2011
Editions Mego 118 / Urbanomic UF13
Edited by Robin Mackay
Japanese edition: Speculative Solution and 3 Channel Chronics
Translated by Natsuko Jimbo
Download (English/French, removed on 2013-2-7 upon request of the publisher)
PDF (Japanese, no OCR)
Download (full album in FLAC, removed on 2013-2-7 upon request of the publisher)
related: Florian Hecker: Chimerization (2012)
Filed under book | Tags: · afterimage, archive, chronophotography, cinema, contingency, entropy, film, film history, modernity, photography, time, vision
Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time—and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity.
At this book’s heart is the cinema’s essential paradox: temporal continuity conveyed through “stopped time,” the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity.
Publisher Harvard University Press, 2002
ISBN 0674007298, 9780674007291
review (Meredith Morse, Senses of Cinema)Comment (0)
Quentin Meillassoux: The Number and The Siren: A Decipherment of Mallarmé’s Coup de dés (2011/2012) [French, English]
Filed under book | Tags: · contingency, literary criticism, literature, mathematics, philosophy, poetics, poetry
“A meticulous literary study, a detective story à la Edgar Allan Poe, a treasure-hunt worthy of an adventure novel – such is the register in which can be deciphered the hidden secrets of a poem like no other. Quentin Meillassoux, author of After Finitude, continues his philosophical interrogation of the concepts of chance, contingency, infinity and eternity through a concentrated study of Mallarmé’s poem Un Coup de dés, patiently deciphering its enigmatic meaning on the basis of a dazzlingly simple and lucid insight with regard to that ‘unique Number that cannot be another’.
Un Coup de Dés jamais n’abolira le Hasard constitutes perhaps the most radical break in the history of modern poetry: the fractured lines spanning the double page, the typographical play borrowed from the poster form, the multiplication of interpolations disrupting reading. But the intrigue of this poem is still stranger, always resistant to full elucidation. We encounter a shipwreck, and a Master, himself almost submerged, who clasps in his hand the dice that, confronted by the furious waves, he hesitates to throw. The hero expects this throw, if it takes place, to be extraordinarily important: a Number said to be ‘unique’ and which ‘can be no other’.
The decisive point of the investigation proposed by Meillassoux comes with a discovery, unsettling and yet as simple as a child’s game. All the dimensions of the Number, understood progressively, articulate between them but one sole condition: that this Number should ultimately be delivered to us by a secret code, hidden in the Coup de dés like a key that finally unlocks every one of its poetic devices. Thus is also unveiled the meaning of that siren, emerging for a lightning-flash amongst the debris of the shipwreck: as the living heart of a drama that is still unfolding.
The English volume contains the entire text of the Coup de dés and three other poems, with new translations.”
Le nombre et la sirène. Un déchiffrage du Coup de dés de Mallarmé
Publisher Fayard, 2011
ISBN 2213666989, 9782213666983
Translated by Robin Mackay
Publisher Urbanomic, Falmouth, and Sequence Press, New York, 2012
Review (Michael Reid, Mute)
Review (Adam Kotsko, The New Inquiry)
Review (Thomas H. Ford, Canadian Society for Continental Philosophy)
Review (Edward K. Kaplan, Nineteenth-Century French Studies)
Review (Brian Kim Stefans, Los Angeles Review of Books)
Graham Harman’s blog post about the book, part 2