Olga Goriunova (ed.): Readme 100: Temporary Software Art Factory (2006)

“This book discusses projects and research completed in the framework of the Readme 100 Temporary Software Art Factory, which took place in Dortmund in November 2005 and was co-organized by Hartware MedienKunstVerein.

It deals with the topic of production as it relates to software, software art and software cultures. Thus, it focuses not only on software as a product itself, but also on the experiment of its production through methods including outsourcing, use of open source solutions and self-production. Topics addressed include economies of arts, desire and openness, harmony of markets, the unmarketable, reverse outsourcing, resistant mapping and others.

The result is a multi-faceted collection of project descriptions, illustrations, research texts and features relating to the theme of software art production.”

Authors include: Amy Alexander, Inke Arns, Christophe Bruno, Javier Candeira, Yves Degoyon, Elpueblodechina, Olga Goriunova, Francis Hunger, Sven Konig, Eric Londaits, Alessandro Ludovico, Ilia Malinovsky, Alex McLean, Special guest, Julian Rohrhuber, Alexei Shulgin, Leonardo Solaas, Mitchell Whitelaw, Renate Wieser.

Publisher Hartware MedienKunstVerein, Dortmund, 2006
ISBN 3833443693
168 pages

Event
Publisher

PDF (updated on 2016-12-23)

Ben F. Laposky: Electronic Abstractions: A New Approach to Design (1953)

“In 1950 American draftsman, graphic artist and mathematician Benjamin F. Laposky of Cherokee, Iowa, first used a cathode ray oscilloscope with sine wave generators and various other electrical and electronic circuits to create abstract art, which he called ‘electrical compositions’. The electrical vibrations shown on the screen of the oscilloscope, which included Lissajous figures, he recorded by still photography. Some of Laposky’s images were published in Scripta Mathematica in 1952.

In 1953 Laposky exhibited fifty images that called ‘Oscillons’ (or oscillogram designs) at the Sanford Museum in Cherokee, Iowa. To record this exhibition Laposky published an exhibition catalogue entitled electronic abstractions. Because of this exhibition Laposky is credited as the earliest pioneer in electronic art, more specifically in the analog vector medium. In later work Laposky also incorporated motorized rotating filters of variable speed to color the patterns. He never programmed computers to create images.

A version of Laposky’s electronic abstractions show was exhibited across the United States, in France at LeMons, and other places by the Cultural Relations Section of the United States from 1953 to 1961.” (source)

Self-published, Cherokee, Iowa
16 pages
via Vasulka Archive

garments inspired by Laposky’s oscillons, designed by Kim Hagelind

PDF
PDF (additional material, 5 pages)

Eadweard Muybridge: The Stanford Years 1872–82 (1972)

Catalogue for the exhibition held at Stanford University Museum of Art in 1972.

Edited by Anita Ventura Mozley
Publisher Department of Art, Stanford University, 1972
136 pages
via Archive.org

PDF (60 MB, no OCR)