Seismograf/DMT contemporary art music magazine (2011–) [Danish]

Seismograf/DMT er et redaktionelt uafhængigt tidsskrift, der omhandler den nyeste kunst i lyddomænet og dens skabere – eksperimentel kunstmusik, lydkunst, performance, multimedia, interaktion og field recordings.

Tidsskriftet er en fusion af Dansk Musik Tidsskrift, Autograf og Seismograf, og tegner dermed Danmarks eneste platform fuldkommen dedikeret feltet ny kunstmusik og lydkunst.

Fra 2013 vil tidsskriftet endvidere publicere artikler, der er peer reviewed.

Sanne Krogh Groth er chefredaktør for tidsskriftet, der er støttet af Kunststyrelsens Musikudvalg og Dansk Komponistforening.

Publikationer: Japansk Lydkunst; Avantgarde i børnehøjde; Det du lysnar på hörs i P2; ’Touch Me! Fysisk – emotinelt – sensuelt’: Kritik af SPOR festival 2011; Musikhistorier; Urbanitet, lyd og kunst; Komponiststemmer; Instrumentmagere; Retro-utopier: Reportage fra CTM og Transmediale, 2013; Radio Radio Radio

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Amodern 2: Network Archaeology (2013)

“This special issue of Amodern features original research, initially presented in 2012 at the Network Archaeology conference at Miami University of Ohio, on the histories of networks, the discrete connections that they articulate, and the circulatory forms of data, information, and socio-cultural resources that they enable. Drawing from the field of media archaeology, we conceptualize network archaeology as a call to investigate networks past and present – using current networks to catalyze new directions for historical inquiry and drawing upon historical cases to inform our understanding of today’s networked culture. In this introduction, we elaborate how network archaeology opens up promising areas for critical investigation, new objects of study, and prospective sites for collaboration within the productively discordant approach of media archaeology.” (from the Editorial)

With contributions by Braxton Soderman, Nicole Starosielski, Jussi Parikka, Scott Pound, Alan Liu, John Cayley, Adrian Johns, John Cayley, Rory Solomon, Liam Young, Lisa Gitelman, Brian Jacobsen, Veronica Paredes, Shannon Mattern, James Purdon, Sebastian Gießmann, Brooke Belisle, Peter Schaefer, Alex Ingersoll, John Shiga, Kris Paulsen, Sandra Gabriele, Darren Wershler, Kalervo Sinervo, and Shannon Tien.

Edited by Nicole Starosielski, Braxton Soderman and cris cheek
Publisher Concordia University and Lakehead University, October 2013

Media archaeology at Monoskop wiki

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Cinema Comparat/ive Cinema journal, Nos. 1–2: Programming/Montage & Forms in Revolution (2012–13) [EN/ES/CAT]

Cinema Comparat/ive Cinema is a biannual publication founded in 2012. It focuses on comparative cinema and the reception and interpretation of film in different social and political contexts. Each issue investigates the conceptual and formal relationships between films, material processes and production and exhibition practices, the history of ideas and film criticism.

Cinema Comparat/ive Cinema addresses an original area of research, developing a series of methodologies for a comparative study of cinema. With this aim, it also explores the relationship between cinema and comparative literature as well as other contemporary arts such as painting, photography, music or dance, and audio-visual media.

Edited by Colectivo de Investigación Estética de los Medios Audiovisuales (CINEMA) at the Universitat Pompeu Fabra (UPF), Barcelona
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
ISSN 2014-8933

Volume 1, Nº 1, «Programming/Montage», 2012
PDF (English), Spanish, Catalan.
View online (HTML articles, English), Spanish, Catalan.

Volume 1, Nº 2, «Forms in revolution», 2013
PDF (English), Spanish, Catalan.
View online (HTML articles, English), Spanish, Catalan.