Mel Alexenberg: Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness (2006)

28 September 2010, dusan

This book develops the thesis that the transition from pre-modernism to postmodernism in art of the digital age represents a paradigm shift from the Hellenistic to the Hebraic roots of Western culture.

Semiotic and morphological analysis of art and visual culture demonstrate the contemporary confluence between the deep structure of Hebraic consciousness and new directions in art that arise along the interface between scientific inquiry, digital technologies, and multicultural expressions.

Complementing these two analytic methodologies, alternative methodologies of kabbalah and halakhah provide postmodern methods for extending into digital age art forms. Exemplary artworks are described in the text and illustrated with photographs.

Publisher Intellect Books, 2006
ISBN 1841502065, 9781841502069
187 pages

publisher
google books

PDF (updated on 2012-7-30)

Audiovisual Thinking journal, No. 1: What is Academic Video? (2010)

21 September 2010, dusan

Audiovisual Thinking is the world’s first journal of academic videos about audiovisuality, communication and media. The journal is a pioneering forum where academics and educators can articulate, conceptualize and disseminate their research about audiovisuality and audiovisual culture through the medium of video.

International in scope and multidisciplinary in approach, the purpose of Audiovisual Thinking is to develop and promote academic thinking in and about all aspects of audiovisuality and audiovisual culture.

Advised by a board of leading academics and thinkers in the fields of audiovisuality, communication and the media, the journal seeks to set the standard for academic audiovisual essays now and in the future.

Audiovisual Thinking. The Journal of Academic Videos
Contact: Inge Ejbye Sørensen, University of Copenhagen
Editorial board: Thommy Eriksson, Oranit Klein Shagrir, Inge Sørensen, Petri Kola, Sanna Marttila
Advisory board: Ib Bondebjerg, John Thornton Caldwell, Lily Díaz

authors

View online (fixed on 2012-7-28)

Dieter Daniels, Gunther Reisinger (eds.): Net Pioneers 1.0: Contextualizing Early Net-Based Art (2010)

20 September 2010, dusan

Net Pioneers 1.0 discusses media art history with a new, interdisciplinary look at the historical, social, and economic dynamics of our contemporary, networked society.

The hype around Net-based art began in the early 1990s, before the Internet had become a commodity. It developed in skeptical parallel to the rise and decline of the new economy. But why does this chapter of art history appear to end so suddenly? Is it that the idea of Net-based art involving itself in a revolutionary spirit in a networked society failed? One might equally well argue that it was far too successful simply to become another media-art genre. Looking today at the social, aesthetic, and conceptual approaches of the early 1990s presented in this book, it is clear that most of them have in fact come true, if in ways other than intended.

The contributions cover a wide variety of topics, ranging from art-scholarly methodological debate (Bentkowska-Kafel, Kuni), source-critical analysis (Reisinger), archiving, exhibition, and analytical practice (Ernst, London, Paul, Sakrowski) to media-philosophical aspects (Ries) and technical and artistic innovations (Daniels).”

Contributions by Anna Bentkofska-Kafel, Dieter Daniels, Wolfgang Ernst, Verena Kuni, Barbara London, Christiane Paul, Gunther Reisinger, Marc Ries, Robert Sakrowski and Julian Stallabrass.

Publisher Sternberg Press, Berlin and New York, February 2010
Co-published with the Ludwig Boltzmann Institute Media.Art.Research
ISBN 978-1-933128-71-9
240 pages

Publisher
Co-publisher

PDF (introduction and index missing; updated on 2014-8-29)
PDFs

Dale F. Eickelman, Jon W. Anderson (eds.): New Media in the Muslim World. The Emerging Public Sphere, 2nd ed. (2003)

19 September 2010, dusan

This second edition of a widely acclaimed collection of essays reports on how new media—fax machines, satellite television, and the Internet—and the new uses of older media—cassettes, pulp fiction, the cinema, the telephone, and the press—shape belief, authority, and community in the Muslim world. The chapters in this work, including new chapters dealing specifically with events after September 11, 2001, concern Indonesia, Bangladesh, Turkey, Iran, Lebanon, the Arabian Peninsula, and Muslim communities in the United States and elsewhere. The extent to which today’s new media have transcended local and state frontiers and have reshaped understandings of gender, authority, social justice, identities, and politics in Muslim societies emerges from this timely and provocative book.

Publisher Indiana University Press, 2003
Indiana series in Middle East studies
Edition 2
ISBN 0253216052, 9780253216052
213 pages

publisher
google books

PDF

Piotr Piotrowski: In the Shadow of Yalta. Art and the Avant-garde in Eastern Europe, 1945-1989 (2005/2009)

19 September 2010, dusan

In the Shadow of Yalta is a comprehensive study of the artistic culture of the region between the Iron Curtain and the USSR, taking in Bulgaria, Czechoslovakia, Germany, Hungary, Poland, Romania and Yugoslavia. Piotr Piotrowski chronicles the relationship between art production and politics in this zone between the end of World War II and the fall of Communism, focusing in particular on the avant-garde.

Beginning with an analysis of Surrealism in Czechoslovakia, Poland and Hungary, Piotrowski then examines the evolution of Modernism against the backdrop of the decline of Stalinism. He follows with an account of the neo-avant-garde experience: the body art and conceptual art made during the volatile political circumstances of the 1970s, the times of ‘real Socialism’. The book concludes with an epilogue describing the end of the Communist system in East-Central Europe, and the art that served witness to that end. Alongside the portrayal of the frequently challenging art that was made in response to such difficult circumstances, the common threads that emerge from the narrative are the erosion of ideology, the rise of consumerism and the emergence of political pragmatism.

Featuring more than 220 images by artists frequently unfamiliar to an English-speaking audience, In the Shadow of Yalta is a fascinating portrait of the art made in an area and during a time of crucial importance to the development of Europe as we know it today. The book will have much to say to art historians, art critics, and students of art history interested in Central and Eastern European art, as well as general historians of the region.”

First published by Rebis, Poznań, Poland, 2005
Translated by Anna Brzyski
Publisher Reaktion Books, 2009
ISBN 1861894384, 9781861894380
487 pages

Review: Katarzyna Murawska-Muthesius (Umění 2007 EN).

Publisher

PDF (updated on 2012-7-26)

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