Mikel R. Nieto: Dark Sound (2016) [Huao/Basque/Spanish/English]

28 September 2017, dusan

“The book contains “Ecopolitik”–an introduction as an epilogue by José Luis Espejo, a letter to the Huaorani people, two research texts and one bertso, descriptive texts and photos of recordings, a possible chronology, a glossary, a compilation of several texts with testimonies, reports and declarations from different people, groups, institutions, and publications in reference to the impact—direct or indirect—of the noise from the oil industry during its various phases of development on the people, the environment and the fauna.”

The book is supplemented by a CD containing 34 recordings in one track.

Publisher Gruenrekorder, 2016
Anti-copyright
ISBN 9783000523700
175 pages
via author

Reviews

Author
Publisher

PDF (20 MB)
MP3 (149 MB)

391, 1-19 (1917-1924) [French]

28 September 2017, dusan

391 was a Dada magazine edited by Francis Picabia and published between 1917 and 1924 in 19 numbers in Barcelona (nos. 1-4), New York (nos. 5-7), Zürich (no. 8) and Paris (nos. 9-19).

Contributors included Guillaume Apollinaire, Louis Aragon, Walter C. Arensberg, Céline Arnauld, Hans Arp, Pierre Albert-Birot, André Breton, Gabrielle Buffet, Jean Cocteau, Jean Crotti, Robert Desnos, Paul Dermée, Paul Éluard, Albert Gleizes, M. Goth, Max Jacob, M. Laurencin, René Magritte, Pierre de Massot, E.L.T. Mesens, Francis Picabia, Man Ray, Georges Ribemont-Dessaignes, Erik Satie, Walter Serner, Philippe Soupault, Tristan Tzara, Edgard Varèse, Marius de Zayas, a.o.

The issue 12 features Francis Picabia’s “Manifeste Dada” with reproduction of Marcel Duchamp’s L.H.O.O.Q.

Edited and published by Francis Picabia, Barcelona/New York/Zürich/Paris, January 1917-October 1924

PDFs

Eikoh Hosoe, Yukio Mishima: Killed by Roses / 薔薇刑 (1963) [Japanese]

27 September 2017, dusan

The legendary photobook Barakei — Killed by Roses is a collaboration between photographer Eikoh Hosoe and writer Yukio Mishima. Hosoe used props, personal belongings and backgrounds readily available in Mishima’s house to cast the renowned writer as his subject in a sequence of surreal scenery.

“The photos that make up the body of the book are inky, sometimes high-contrast gravures that bleed right to the edge of the page and often extend across the entire open spread, giving extra impact to images that are already quite arresting. Even if the subject of Hosoe’s photographs weren’t the author Yukio Mishima, the book would be remarkable for its humid mix of eroticism and myth, queer kitsch and high art. But Mishima, Japan’s most celebrated and controversial modern novelist, was also a brilliant provocateur and his presence here turns ‘Killed By Roses’ into a charged collaboration between artists testing one another’s limits. Hosoe’s first meeting with Mishima, in September 1961, was at the writer’s house. That first day, Mishima, already dressed only in a loincloth, ended up wrapped in a garden hose and standing on the marble mosaic zodiac on his lawn. The resulting surreal images are among the book’s most famous; though Hosoe saw them as ‘the destruction of a myth’. Mishima’s ritual suicide in 1970 was seen as his final artistic act.” (Andrew Roth, “The Book of 101 Books”, p 164)

薔薇刑 (later editions as: Ba-ra-kei: Ordeal by Roses)
Photography by Eikoh Hosoe (細江英公)
Model and introduction by Yukio Mishima (三島由紀夫)
Publisher Shueisha (集英社刊), Tokyo, 25 March 1963
104 pages
via Harper’s Books, HT Bint Bint

Commentary: Eikoh Hosoe (ASX, 2010).

Wikipedia-JP
Reprint (2008)
Reprint
WorldCat

PDF (7 MB)
JPGs

Taeyoon Choi: Poetic Computation Reader (2017)

27 September 2017, dusan

This online book discusses code as a form of poetry and aesthetic while raising ethical questions associated with it. It is based on Taeyoon Choi’s lectures at the School for Poetic Computation, an independent school he co-founded in New York City.

Edited by Hannah Son
Designed by HAWRAF
Published 2017

HTML
Source code on Github

John Elderfield: Kurt Schwitters (1985)

26 September 2017, dusan

“Designed to accompany the Schwitters exhibitions in New York, London and Hanover, John Elderfield’s masterly study of Schwitters fulfils all the promise of his articles on that artist from the years 1969 to 1977 and surpasses any other academic work on the same subject in five major respects: first, in its attention to all phases of Schwitters’s work (the pre-1917 and post-1937 phases as well as the classically Merz period); second, in its judicious and balanced attention to all aspects of Schwitters’s multi-media work; third, in its refusal to reduce Schwitters’s artistic and theoretical work to one simple set of ideas or to privilege one mode of expression over another; fourth, in its generous sense of the rich artistic background (Cubism, Sturm, Dada, Constructivism) out of which Schwitters’s variegated work arose; and fifth, in its prodigious familiarity with the vast secondary literature dealing with the Modernist avant-gardes. The extent of Elderfield’s research is immensely impressive and the result of this is an authoritative, clearly-written book which combines a sure grasp of factual detail, a shrewd analytical sense vis-a-vis individual works, a complex understanding of the theoretical problems posed by Schwitters’s cpuvre and a fluid empathy with all of its levels. Quite apart from the 355 high-quality illustrations, the uniform excellence of Elderfield’s text makes the book indispensable for any serious student of German and European Modernism and effortlessly accessible to the non-specialist as well.” (Richard Sheppard’s 1986 review)

Publisher Thames and Hudson, London, 1985
ISBN 0500234264
424 pages
via MoMA

Reviews: Richard Sheppard (J Eur Studies, 1986), Dawn Ades (Burlington Mag, 1986).

Exhibition
WorldCat

PDF, PDF (106 MB)

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