Filed under catalogue | Tags: · art, avant-garde, painting, revolution, russia, socialist realism, soviet union
“This is the first exhibition and publication to present this outstanding figure of socialist realism – and, by extension, the historical period from which his work was borne – in a twofold context: the end of the avant-garde and the advent of Soviet socialist realism. It covers Deineka’s entire oeuvre, from his early paintings of the 1920s to the twilight of his career in the 1950s, when the dreamlike quality of his first works gave way to the harsh materiality of everyday life, the life in which the utopian ideals of socialism seemed to materialize. Combining Deineka’s graphic work, posters and contributions to illustrated magazines and books with his monumental paintings, this catalogue displays a variety of subjects: factories and enthusiastic masses, athletes and farmers, the ideal and idyllic image of Soviet life.”
With essays by Manuel Fontán del Junco, Christina Kiaer, Ekaterina Degot, Boris Groys, Fredric Jameson, Irina Leytes, and Alessandro De Magistris. Includes an extensive section with documents of the Russian avant-garde, Revolutionary Art and Socialist Realism (1913-35) and texts by and about Deineka (1918-64).
Publisher Fundación Juan March, Madrid, 2011
ISBN 9788470755927, 8470755927