Filed under catalogue | Tags: · art, corruption, documentary, forensics, human rights, journalism, politics, realism, surveillance, truth
“Evidentiary Realism aims to articulate a form of realism in art that portrays and reveals evidence from complex social systems. The truth-seeking artworks featured explore the notion of evidence and its modes of representation.
Evidentiary Realism reflects on post-9/11 geopolitics, increasing economic inequalities, the erosion of civil rights, and environmental disasters. It builds on the renewed appreciation of the exposure of truth in the context of the cases of WikiLeaks, Edward Snowden, the Panama Papers, and the recent efforts to contend with the post-factual era.”
The exhibition was held at Fridman Gallery, New York, 28 February-31 March 2017, and Nome Gallery, Berlin from 1 December 2017-17 February 2018.
Curated and organised by Paolo Cirio.
Artworks by Nora Al-Badri & Nikolai Nelles, Amy Balkin, Sadie Barnette, Josh Begley, James Bridle, Ingrid Burrington, Hans Haacke, Khaled Hafez, Jenny Holzer, Harun Farocki, Navine G. Khan-Dossos, Thomas Keenan & Eyal Weizman, Mark Lombardi, Kirsten Stolle, Suzanne Treister.
Texts by Jaroslav Anděl, Sampada Aranke, Giulia Bini, Nijah Cunningham, Heather Davis, Blanca de la Torre, Lauren van Haaften-Schick, Natasha Hoare, Aude Launay, Susanne Leeb, Susette Min, Mary Anne Redding, Susan Schuppli, and Nicola Trezzi.
Publisher NOME, Berlin, 2017
Creative Commons BY-NC-ND License
ISBN 9780244342739, 0244342733