Frances Guerin: A Culture of Light: Cinema and Technology in 1920s Germany (2005)

3 September 2009, dusan

Cinema is a medium of light. And during Weimar Germany’s advance to technological modernity, light – particularly the representational possibilities of electrical light – became the link between the cinema screen and the rapid changes that were transforming German life.

In Frances Guerin’s compelling history of German silent cinema of the 1920s, the innovative use of light is the pivot around which a new conception of a national cinema, and a national culture emerges. Guerin depicts a nocturnal Germany suffused with light – electric billboards, storefronts, police searchlights – and shows how this element of the mise-en-scene came to reflect both the opportunities and the anxieties surrounding modernity and democracy. Guerin’s interpretations center on use of light in films such as Schatten (1923), Variete (1925), Metropolis (1926), and Der Golem (1920). In these films we see how light is the substance of image composition, the structuring device of the narrative, and the central thematic concern.

This history relieves German films of the responsibility to explain the political and ideological instability of the period, an instability said to be the uncertain foundation of Nazism. In unlocking this dubious link, A Culture of Light redefines the field of German film scholarship.

Publisher University of Minnesota Press, 2005
ISBN 0816642869, 9780816642861
314 pages

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PDF (updated on 2014-9-5)

One Response to “Frances Guerin: A Culture of Light: Cinema and Technology in 1920s Germany (2005)”

  1. Frances Guerin: A Culture Of Light: Cinema And Technology In 1920s Germany (2005) at Monoskop/log on May 3, 2010 12:34 am

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