Filed under book | Tags: · aesthetics, art, literary criticism, literature, poetry, semiotics, theory
“Umberto Eco’s The Open Work remains significant for its concept of “openness”–the artist’s decision to leave arrangements of some constituents of a work to the public or to chance–and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general.
This new English edition includes an introduction by David Robey that explores Eco’s thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco’s mentor Luigi Pareyson, on television and mass culture, and on the politics of art.”
First published in Italian as Opera aperta, 1962.
Translated by Anna Cancogni
With an Introduction by David Robey
Publisher Harvard University Press, 1989
ISBN 0674639766, 9780674639768