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“Erwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in the last century. This unrivaled example of Panofsky’s early method places him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of ‘archaeology’ of Western representation that far surpasses the usual scope of art historical studies.
Perspective in Panofsky’s hands becomes a central component of a Western “will to form,” the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world. Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.”
First published in Vorträge der Bibliothek Warburg 1924-1925, Leipzig/Berlin: Teubner, 1927, pp 258-330.
Reprinted in Panofsky, Aufsätze zu Grundfragen der Kunstwissenschaft, eds. Hariolf Oberer and Egon Verheyen, 1974; Berlin 1992, pp 99-167.
Translated by Christopher S. Wood
Publisher Zone Books, New York, 1991
ISBN 0942299523, 9780942299526
Review: E.H. Gombrich (NY Review of Books 1997).
Die Perspektive als ‘symbolische Form’ (German, 1927/1980)
La perspectiva como forma simbolica (Spanish, trans. Virginia Careaga, 1973/2003)
Perspective as Symbolic Form (English, trans. Christopher S. Wood, 1991, no OCR)