Gerald Emanuel Stearn (ed.): McLuhan: Hot & Cool: A Primer for the Understanding of & a Critical Symposium with a Rebuttal by McLuhan (1967)

“A brilliant amalgam of articles, discussions, essays and interviews with and about the Pop Oracle himself, The Complete McLuhan: the most controversial thinker of the electronic age.” (from the back cover)

With essays by Howard Luck Gossage, Tom Wolfe, John Culkin, SJ., Dean Walker, Kenneth E. Boulding, George P. Elliott, Rudolph E. Morris, Walter Ong, SJ., Ammunition (C.I.O.), William Blissett, Harley Parker, Robert Shafer, John Freund, Patrick D. Hazard, Dell Hymes, Frank Kermode, A. Alvarez, Dan M. Davin, Raymond Williams, Harold Rosenberg, Dwight Macdonald, Christopher Ricks, Jack Behar, Ben Lieberman, John M. Johansen, George Steiner, Jonathan Miller, Andrew Forge, Benjamin DeMott, Susan Sontag; responses by Marshall McLuhan; and an interview by Gerald E. Stearn with McLuhan.

Publisher The Dial Press, New York, 1967
Signet Non-Fiction series, Q3739
312 pages

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Oskar Negt, Alexander Kluge: Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere (1972–)

“The ‘public sphere’ is widely debated in contemporary literary and cultural studies circles in the United States. The topic’s significance underscores the pressing problem of the location of these contemporary debates: Is the ‘public sphere’ a single authoritative and universal space in which the various positions in these debates compete for recognition, or does it consist of multiple local spaces spread over diverse collectivities? The term ‘public’ has emerged with new urgency in different disciplines and contexts history, cinema and television studies, art criticism, feminist, gay and lesbian, postcolonial, and subaltern perspectives, and is proliferating in titles of books, articles, and college courses. Public Sphere and Experience opens the discussion of the material conditions of experience into an arena that had previously figured only as an abstract term: the media of mass and consumer culture, in particular the so-called new media.”

Originally published as Öffentlichkeit und Erfahrung: Zur Organisationsanalyse von bürgerlicher und proletarischer Öffentlichkeit, 1972, Suhrkamp Verlag, Frankfurt

Translated by Peter Labanyi, Jamie Owen Daniel, and Assenka Oksiloff
Foreword by Miriam Hansen
Publisher University of Minnesota Press, 1993
Theory and History of Literature series, 85
ISBN 0816620318, 9780816620319
305 pages

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Alexander Kluge: Raw Materials for the Imagination (2012)

“Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book – the first of its kind in English – comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those interested in exploring the intersections between art, politics, and social change.”

Edited by Tara Forrest
Publisher Amsterdam University Press, 2012
Film Culture in Transition series
Creative Commons BY-NC-ND 3.0 License
ISBN 9089642722, 9789089642721
440 pages

Publisher
OAPEN

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