Tom Standage: The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century’s On-line Pioneers (1998)

For thousands of years people had communicated across distances only as quickly as the fastest ship or horse could travel. Generations of innovators tried to develop speedier messaging devices. Then, in the mid-1800s, a few extraordinary pioneers at last succeeded. Their invention–the telegraph–nullified distance and shrank the world quicker and further than ever before, or since. This book tells the story of the telegraph’s creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it, from the eighteenth-century French scientist Jean-Antoine Nollet to Samuel F. B. Morse and Thomas Edison. By 1865 telegraph cables spanned continents and oceans, revolutionizing the ways countries dealt with one another, giving rise to creative business practices and new forms of crime. Romances blossomed over the wires. The benefits of the network were hyped by advocates and dismissed by skeptics. Government regulators tried and failed to control the new medium. And attitudes toward everything from news gathering to war had to be completely rethought.

Publisher Walker & Company, New York, 1998
ISBN 0802713424, 9780802713421
227 pages

author
wikipedia
publisher
google books

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Thomas Streeter: The Net Effect: Romanticism, Capitalism, and the Internet (2011)

This book about America’s romance with computer communication looks at the internet, not as harbinger of the future or the next big thing, but as an expression of the times. Streeter demonstrates that our ideas about what connected computers are for have been in constant flux since their invention. In the 1950s they were imagined as the means for fighting nuclear wars, in the 1960s as systems for bringing mathematical certainty to the messy complexity of social life, in the 1970s as countercultural playgrounds, in the 1980s as an icon for what’s good about free markets, in the 1990s as a new frontier to be conquered and, by the late 1990s, as the transcendence of markets in an anarchist open source utopia.

The Net Effect teases out how culture has influenced the construction of the internet and how the structure of the internet has played a role in cultures of social and political thought. It argues that the internet’s real and imagined anarchic qualities are not a product of the technology alone, but of the historical peculiarities of how it emerged and was embraced. Finding several different traditions at work in the development of the internet—most uniquely, romanticism—Streeter demonstrates how the creation of technology is shot through with profoundly cultural forces—with the deep weight of the remembered past, and the pressures of shared passions made articulate.

Outstanding Academic Title from 2011 by Choice Magazine.

Publisher NYU Press, 2011
Critical Cultural Communication series
ISBN 0814741169, 9780814741160
221 pages

review (Yuenmei Wong, International Journal of Communication)

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Jonathan Sterne: MP3: The Meaning of a Format (2012)

“MP3: The Meaning of a Format recounts the hundred-year history of the world’s most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format’s promiscuous social life since the mid 1990s.

MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures—and the need for content to fit inside them—are every bit as central to communication as the boxes we call “media.””

Publisher Duke University Press, Durham, NC, September 2012
Sign, Storage, Transmission series
ISBN 0822352877, 9780822352877
341 pages

Reviews: Robert Barry (review31), Hillegonda Rietveld (Times Higher Education), Hua Hsu (Slate).
Interview with the author: Eric Harvey (Pitchfork).

Publisher

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