Revista Arta (14-15): Performance in Eastern Europe (2015) [Romanian/English]

3 January 2017, dusan

Special dossier of the magazine.

“Under such names as happening, processual or performative art, situationist or contextual art, actionism or corporal / body art, performance art has remained since the 1960s maybe the most direct, incisive, and cutting-edge form of artistic expression of the last decades. Positioned at the cross-point between the visual, the discursive, and the theatrical, involving the artist with his/her entire physical, psychological, and spiritual being, in front of the public or together with it, performance art has not yet run out of resources in the context of the last years, when other forms of visual intervention have become more fashionable. Since the 1960s, performance art has represented a form of protest of the artists against the aesthetic establishment, accelerated muzeification, and the consumerism of the art market. The dossier coordinated by Ileana Pintilie demonstrates all these assertions, but also underlines the emancipating dimension performance art has had in the former communist countries of Eastern Europe – the fascination and fear which totalitarian regimes developed in front of this provocative form of social and artistic non-conformism.”

Edited by Ileana Pintilie
Publisher Romanian Artists’ Union (Uniunea Artiștilor Plastici din România), Bucharest, 2015
98 pages

Publisher

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Octavian Eşanu: Transition in Post-Soviet Art: The Collective Actions Group Before and After 1989 (2013)

23 December 2016, dusan

“The artistic tradition that emerged as a form of cultural resistance in the 1970s changed during the transition from socialism to capitalism. This volume presents the evolution of the Moscow-based conceptual artist group called Collective Actions, proposing it as a case-study for understanding the transformations that took place in Eastern European art after the fall of the Berlin Wall. Eşanu introduces Moscow Conceptualism by performing a close examination of the Collective Actions group’s ten-volume publication Journeys Outside the City and of the Dictionary of Moscow Conceptualism. He analyzes above all the evolution of Collective Actions through ten consecutive phases, discussing changes that occur in each new volume of the Journeys. Compares the part of the Journeys produced in the Soviet period with those volumes assembled after the dissolution of the USSR. The concept of “transition” and the activities of Soros Centers for Contemporary Art are also analyzed.”

Publisher Central European University Press, Budapest, 2013
ISBN 9786155225116
xvii+357 pages

Review: Amy Bryzgel (Slavic Review, 2013).

Publisher
WorldCat

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Annie Abrahams, Helen Varley Jamieson (eds.): CyPosium: The Book (2014)

12 November 2016, dusan

“In October 2012, a one-day online symposium created a platform for discussing the practice of cyberformance – live performance that uses internet technologies to connect remote participants. The 12-hour event featured 10 presentations and attracted an audience of over 100 from around the world who engaged in a lively, vibrant conversation. CyPosium – The Book presents a selection of artefacts from the CyPosium – presentation texts, chat log excerpts, discussion transcripts, edited email conversations, creative chat excerpt essays and illustrations – along with invited articles that respond to the event. The contributors hail from a wide range of artistic practice both online and offline, and their writing illustrates the hybridity of contemporary arts involving digital technologies.”

Contributors: Adriene Jenik, Alan Sondheim, Alberto Vazquez, Annie Abrahams, Auriea Harvey and Michaël Samyn, Cherry Truluck, Clara Gomes, Helen Varley Jamieson, James Cunningham, Joseph DeLappe, Liz Bryce, Maria Chatzichristodoulou, Maja Delak and Luka Prinčič, Miljana Perić, Rob Myers, Roger Mills, Ruth Catlow, Stephen A. Schrum and Suzon Fuks.

Publisher Link Editions, Brescia, with La Panacée, Centre de Culture Contemporaine, Montpellier, 2014
Creative Commons BY-NC-SA 4.0 International License
ISBN 9781291988925
171 pages

Publisher
WorldCat

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