Marilyn Strathern: Before and After Gender: Sexual Mythologies of Everyday Life (2016)

“Written in the early 1970s amidst widespread debate over the causes of gender inequality, Marilyn Strathern’s Before and After Gender was intended as a widely accessible analysis of gender as a powerful cultural code and sex as a defining mythology. But when the series for which it was written unexpectedly folded, the manuscript went into storage, where it remained for more than four decades. This book finally brings it to light, giving the long-lost feminist work—accompanied here by an afterword from Judith Butler—an overdue spot in feminist history.

Strathern incisively engages some of the leading feminist thinkers of the time, including Shulamith Firestone, Simone de Beauvoir, Ann Oakley, and Kate Millett. Building with characteristic precision toward a bold conclusion in which she argues that we underestimate the materializing grammars of sex and gender at our own peril, she offers a powerful challenge to the intransigent mythologies of sex that still plague contemporary society. The result is a sweeping display of Strathern’s vivid critical thought and an important contribution to feminist studies that has gone unpublished for far too long.”

Edited and with an Introduction by Sarah Franklin
Afterword by Judith Butler
Publisher Hau Books, Chicago, 2016
Open access
ISBN 0986132535, 9780986132537
xlv+311 pages

Commentary: Sarah Green, Margaret Jolly, Annemarie Mol, Marilyn Strathern (J Ethnographic Theory book symposium, 2016).

Publisher
WorldCat

HTML (updated on 2021-12-22)
PDF (added on 2020-10-16)

Diana Agrest, Patricia Conway, Leslie Kanes Weisman (eds.): The Sex of Architecture (1996)

“This book brings together 24 provocative texts that collectively express the power and diversity of women’s views on architecture today. This volume presents a dialogue among women historians, practitioners, theorists, and others concerned with critical issues in architecture and urbanism.”

Publisher Harry N. Abrams, 1996
ISBN 0810926830, 9780810926837
320 pages
via Dubravka

Reviews: Nadir Lahiji & D.S. Friedman (AA Files 1999), Durham Crout (J Architectural and Planning Research 2000).

WorldCat

PDF (6 MB)

Maud Lavin: Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Höch (1993)

“The women of Weimar Germany had an uneasy alliance with modernity: while they experienced cultural liberation after World War I, these “New Women” still faced restrictions in their earning power, political participation, and reproductive freedom. Images of women in newspapers, films, magazines, and fine art of the 1920s reflected their ambiguous social role, for the women who were pictured working in factories, wearing androgynous fashions, or enjoying urban nightlife seemed to be at once empowered and ornamental, both consumers and products of the new culture. In this book Maud Lavin investigates the multi-layered social construction of femininity in the mass culture of Weimar Germany, focusing on the intriguing photomontages of the avant-garde artist Hannah Höch.

Höch, a member of the Berlin Dada group, was recognized as one of the most innovative practitioners of photomontage. In such works as Dada-Ernst and Cut with the Kitchen Knife, she reconstructed the wonderfully seductive mass media images of the New Woman with their appeal intact but with their contours fractured in order to expose the contradictions of the new female stereotypes. Her photomontages exhibit a disturbing tension between pleasure and anger, confidence and anxiety. In Weimar—as today—says Lavin, the representation of women in the mass media took on a political meaning when it challenged the distribution of power in society. Höch’s work provides important evidence of the necessity for women to shape the production and reception of the images that redefine their role.”

Publisher Yale University Press, 1993
ISBN 0300047665, 9780300047660
xvii+260 pages

Reviews: Johanna Drucker (Art Journal 1993), Susan Sensemann (Design Issues 1994), Greil Marcus (2014).

Publisher
WorldCat

PDF (assembled from scans on author’s Academia.edu page, 24 MB, no OCR)