Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt (2005) [English/German]

“Marianne Brandt (1893–1983) is celebrated for her Bauhaus metal designs, beautiful and mass-reproducible objects created to revolutionize modern interior spaces. Much less well known are her photomontages, which constitute a critical complement to her metal works. In these pieces from the mid-1920s and early 1930s, Brandt focused an analytical gaze on contemporary society and politics. Drawing on the vast array of visual material made available by the Weimar Republic’s burgeoning illustrated press, Brandt’s photomontages relied upon the technologies of modern visual culture to challenge pictorial conventions, to denounce the dangerous side of modern technology that had become so apparent in the First World War, and to image new roles for women in interwar society. Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt is the first publication to present, document and analyze the full range of Brandt’s work in photomontage.”

Edited by Elizabeth Otto
Publisher Jovis Verlag, Berlin, and Bauhaus-Archiv Museum of Design, Berlin, 2005
ISBN 3936314551, 9783936314557
175 pages
via Academia.edu

Reviews: Marion Deshmukh (H-Net, 2006), Melissa A. Johnson (Woman’s Art Journal, 2008).
Exh. reviews: Grace Glueck (New York Times, 2006), Ben Davis (Artnet, 2006).

Exhibition (Harvard Art Museums, Cambridge, MA)
Exhibition (International Center of Photography, New York)
Publisher
WorldCat

PDF (7 MB)

Photomontage Between the Wars, 1918-1939 (2012) [EN, ES]

This publication offers an overview of the birth of the photomontage process specifically in Germany and the Soviet Union. The extensive range of posters, collages, maquettes, postcards, magazines, and books attests to the large influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde members during these two decades.

The catalogue features an essay by Adrian Sudhalter, as well as a chronology of the era, a selection of period texts—several published in translation for the first time—by some of the represented artists, and facsimile reproduction and translation of the catalogue of one of the most important exhibition devoted to this artistic technique at the Kunstgewerbemuseum in Berlin in 1931 (with essays by Curt Glaser, César Domela-Nieuwenhuis, and Gustav Klutsis). The exhibition is drawn primarily from the Merrill C. Berman Collection in the United States.

Publisher Fundación Juan March, Madrid, 2012
ISBN 9788470755972
184 pages

Review: Paul Messaris (Advertising & Society Review, 2014).

Exhibition
Publisher
WorldCat

English: PDF, PDF (23 MB), View online
Spanish: PDF, PDF (24 MB), View online

Margit Rowell, Deborah Wye: The Russian Avant-Garde Book, 1910-1934 (2002–) [English, Spanish]

“Russian avant-garde books made between 1900s-30s reflect a vivid and tumultuous period in that nation’s history that had ramifications for art, society, and politics. The early books, with their variously sized pages of coarse paper, illustrations entwined with printed, hand-written, and stamped texts, and provocative covers, were intended to shock academic conventions and bourgeois sensibilities. After the 1917 Revolution, books appeared with optimistic designs and photomontage meant to reach the masses and symbolize a rational, machine-led future. Later books showcased modern Soviet architecture and industry in the service of the government’s agenda.

Major artists adopted the book format during these two decades. They include Natalia Goncharova, El Lissitzky, Kazimir Malevich, Aleksandr Rodchenko, Olga Rozanova, the Stenberg brothers, Varvara Stepanova, and others. These artists often collaborated with poets, who created their own transrational language to accompany the imaginative illustrations. Three major artistic movements, Futurism, Suprematism, and Constructivism, that developed during this period in painting and sculpture also found their echo in the book format.

This publication accompanied an exhibition of Russian avant-garde books at The Museum of Modern Art, New York. Featuring some 300 books, this was the most comprehensive exhibition ever devoted exclusively to the illustrated books made during this period. It was prompted by a gift to MoMA of more than 1,000 Russian avant-garde illustrated books from The Judith Rothschild Foundation, New York.”

With essays by Deborah Wye, Nina Gurianova, Jared Ash, Gerald Janecek, and Margit Rowell.

Publisher Museum of Modern Art, New York, 2002
ISBN 0870700073, 9780870700071
304 pages
via MoMA

Reviews: Holland Cotter (NY Times, 2002), Steven Heller (Eye, 2002).
Exh. review: Kristin M. Jones (Frieze, 2002).

Exhibition website
Publisher (incl. installation views)
WorldCat

English: PDF, PDF (2002, 72 MB)
Spanish: PDF, PDF (2003, 74 MB)