Filed under book | Tags: · anthropology, feminism, gender, mythology, sexuality, women
“Written in the early 1970s amidst widespread debate over the causes of gender inequality, Marilyn Strathern’s Before and After Gender was intended as a widely accessible analysis of gender as a powerful cultural code and sex as a defining mythology. But when the series for which it was written unexpectedly folded, the manuscript went into storage, where it remained for more than four decades. This book finally brings it to light, giving the long-lost feminist work—accompanied here by an afterword from Judith Butler—an overdue spot in feminist history.
Strathern incisively engages some of the leading feminist thinkers of the time, including Shulamith Firestone, Simone de Beauvoir, Ann Oakley, and Kate Millett. Building with characteristic precision toward a bold conclusion in which she argues that we underestimate the materializing grammars of sex and gender at our own peril, she offers a powerful challenge to the intransigent mythologies of sex that still plague contemporary society. The result is a sweeping display of Strathern’s vivid critical thought and an important contribution to feminist studies that has gone unpublished for far too long.”
Edited and with an Introduction by Sarah Franklin
Afterword by Judith Butler
Publisher Hau Books, Chicago, 2016
ISBN 0986132535, 9780986132537
Commentary: Sarah Green, Margaret Jolly, Annemarie Mol, Marilyn Strathern (J Ethnographic Theory book symposium, 2016).Comment (0)
Filed under book | Tags: · art history, avant-garde, capitalism, communism, democracy, fascism, labour, modernism, modernity, monument, mythology, nazism, politics, revolution, socialism, socialist realism, soviet union, technology, totalitarianism, war
“In spite of the steadily expanding concept of art in the Western world, art made in twentieth-century totalitarian regimes – notably Nazi Germany, fascist Italy and the communist East Bloc countries – is still to a surprising degree excluded from mainstream art history and the exhibits of art museums. In contrast to earlier art made to promote princely or ecclesiastical power, this kind of visual culture seems to somehow not fulfill the category of ‘true’ art, instead being marginalised as propaganda for politically suspect regimes.
Totalitarian Art and Modernity wants to modify this displacement, comparing totalitarian art with modernist and avant-garde movements; confronting their cultural and political embeddings; and writing forth their common generalogies. Its eleven articles include topics as varied as: the concept of totalitarianism and totalitarian art, totalitarian exhibitions, monuments and architecture, forerunners of totalitarian art in romanticism and heroic realism, and diverse receptions of totalitarian art in democratic cultures.”
With contributions by Mikkel Bolt, Sandra Esslinger, Jørn Guldberg, Paul Jaskot, Jacob Wamberg, Christina Kiaer, Anders V. Munch, Kristine Nielsen, Olaf Peters, K. Andrea Rusnock, and Marla Stone.
Publisher Aarhus University Press, Århus, 2010
Acta Jutlandica series, 9
ISBN 8779345603, 9788779345607
via Mikkel Bolt
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Alexander R. Galloway, Eugene Thacker, McKenzie Wark: Excommunication: Three Inquiries in Media and Mediation (2013)
Filed under book | Tags: · communication, horror, media, media theory, mediation, mysticism, mythology, networks, queer theory, theory
“Always connect—that is the imperative of today’s media. But what about those moments when media cease to function properly, when messages go beyond the sender and receiver to become excluded from the world of communication itself—those messages that state: “There will be no more messages”? In this book, Alexander R. Galloway, Eugene Thacker, and McKenzie Wark argue that these moments reveal the ways the impossibility of communication is integral to communication itself—instances they call excommunication.
In three linked essays, Excommunication pursues this elusive topic by looking at mediation in the face of banishment, exclusion, and heresy, and by contemplating the possibilities of communication with the great beyond. First, Galloway proposes an original theory of mediation based on classical literature and philosophy, using Hermes, Iris, and the Furies to map out three of the most prevalent modes of mediation today—mediation as exchange, as illumination, and as network. Then, Thacker goes beyond Galloway’s classification scheme by examining the concept of excommunication through the secret link between the modern horror genre and medieval mysticism. Charting a trajectory of examples from H. P. Lovecraft to Meister Eckhart, Thacker explores those instances when one communicates or connects with the inaccessible, dubbing such modes of mediation “haunted” or “weird” to underscore their inaccessibility. Finally, Wark evokes the poetics of the infuriated swarm as a queer politics of heresy that deviates from both media theory and the traditional left. He posits a critical theory that celebrates heresy and that is distinct from those that now venerate Saint Paul.
Reexamining commonplace definitions of media, mediation, and communication, Excommunication offers a glimpse into the realm of the nonhuman to find a theory of mediation adequate to our present condition.”
Publisher University of Chicago Press, 2013
ISBN 0226925226, 9780226925226
Reviews: Daniel Colucciello Barber (Parrhesia, 2014), Jay Murphy (Afterimage, 2014), Geert Lovink (e-flux, 2014, Wark’s response), Aleksandra Kaminska (Reviews in Cultural Theory, 2015), Marco Deseriis (Culture Machine, 2015).
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