Filed under book | Tags: · biography, body, capitalism, desire, diary, feminism, gender, necropolitics, politics, queer, queer theory, sexuality, theory, transgender, utopia
“A ‘dissident of the gender-sex binary system’ reflects on gender transitioning and political and cultural transitions in technoscientific capitalism.
Uranus, the frozen giant, is the coldest planet in the solar system as well as a deity in Greek mythology. It is also the inspiration for uranism, a concept coined by the writer Karl Heinrich Ulrich in 1864 to define the “third sex” and the rights of those who “love differently.” Following Ulrich, Paul B. Preciado dreams of an apartment on Uranus where he might live beyond existing power, gender and racial strictures invented by modernity. “My trans condition is a new form of uranism,” he writes. “I am not a man. I am not a woman. I am not heterosexual. I am not homosexual. I am not bisexual. I am a dissident of the gender-sex binary system. I am the multiplicity of the cosmos trapped in a binary political and epistemological system, shouting in front of you. I am a uranist confined inside the limits of technoscientific capitalism.”
This book recounts Preciado’s transformation from Beatriz into Paul B., but it is not only an account of gender transitioning. Preciado also considers political, cultural, and sexual transition, reflecting on issues that range from the rise of neo-fascism in Europe to the technological appropriation of the uterus, from the harassment of trans children to the role museums might play in the cultural revolution to come.”
Preface by Virginie Despentes
Publisher Bernard Grasset, Paris, 2019
ISBN 9782246820666, 2246820669
Introduction by Virginie Despentes
Publisher Anagrama, Barcelona, 2019
ISBN 9788433998767, 8433998765
Foreword by Virginie Despentes
Translated by Charlotte Mandell
Publisher Semiotext(e), South Pasadena, CA, 2020
ISBN 9781635901139, 1635901138
Reviews: Eugénie Bourlet (En attendant Nadeau, 2019, FR), Kevin Lambert (Spirale, 2020, FR), Pierre Niedergang (Diacritik, 2019, FR), Thomas Liano (French Studies, 2020, FR), Bernabé Sarabia (El Cultural, 2019, ES), Emilia Holstein (Feminacida, 2020, ES), Alexandra Marraccini (review31, 2020), Megan Milks (4Columns), Bryony White (Frieze, 2020), Kevin Brazil (ArtReview, 2020).
Un appartement sur Uranus: chroniques de la traversée (French, 2019, MOBI)
Un apartamento en Urano: crónicas del cruce (Spanish, 2019)
An Apartment on Uranus: Chronicles of the Crossing (English, trans. Charlotte Mandell, 2020)
Filed under book | Tags: · cinema, feminism, film, film theory, gender, lgbtq, pornography, queer theory, race, representation, sex, sexuality, video
“The papers and discussions published here comprise the proceedings of a conference held at Anthology Film Archives in New York City, October 1989, organized by Bad Object-Choices, a reading group formed in the spring of 1987 to address questions of gay and lesbian theory. The proceedings were edited by the following group members: Terri Cafaro, Jean Carlomusto, Douglas Crimp, Martha Gever, Tom Kalin, and Jeff Nunokawa.” (from the Preface)
The publication was prepared as a special issue of October journal, but ultimately rejected by the editors; and further delayed as more than twenty printers refused to print the book–at issue were images in the Patton, Mercer, and Fung essays. It was eventually printed in Germany. (see interview with Douglas Crimp and p. 10)
With essays by Cindy Patton, Stuart Marshall, Judith Mayne, Richard Fung, Kobena Mercer, and Teresa de Laurentis.
Publisher Bay Press, Seattle, WA, 1991
PDF (65 MB, no OCR)Comment (0)
Mira Mattar (ed.): You Must Make Your Death Public: A Collection of Texts and Media on the Work of Chris Kraus (2015)
Filed under book | Tags: · art, art criticism, feminism, philosophy, queer theory
“Since her first book, I Love Dick, published in 1997, writer and film-maker Chris Kraus has authored a further six books ranging from fiction to art criticism to political commentary, via continental philosophy, feminism, critical and queer theory.
This collection begins to engage with questions Kraus’ work raises: where, if at all, is the line between ‘life’ as private and ‘practice’ as public? How, if one subject is always performing one or other of these, can they be delineated? How does this map onto the relations between other ever blurring not-quite-binaries: artwork and critic, subject and object, masochist and sadist, unknown and known, embodied and disembodied, fiction and criticism?
This book assembles all the talks and media presented at Aliens & Anorexia: A Chris Kraus Symposium, which took place in March 2013 at the Royal College of Art, London.”
With contributions by Travis Jeppesen, Helen Stuhr-Rommereim, Hestia Peppé, Samira Ariadad, Beth Rose Caird, Jesse Dayan, Karolin Meunier, Linda Stupart, Lodovico Pignatti Morano, Trine Riel, Rachal Bradley, David Morris, Jonathan Lahey Dronsfield and Chris Kraus.
Publisher Mute Publishing, London and Berlin, 2015