Filed under book | Tags: · black people, blackness, body, colonialism, consciousness, creolization, human, human ecology, indigenous peoples, knowledge, land, migration, modernity, philosophy, race, racism, representation, slavery, territory, theory, violence
“The Jamaican writer and cultural theorist Sylvia Wynter is best known for her diverse writings that pull together insights from theories in history, literature, science, and black studies, to explore race, the legacy of colonialism, and representations of humanness. Sylvia Wynter: On Being Human as Praxis is a critical genealogy of Wynter’s work, highlighting her insights on how race, location, and time together inform what it means to be human. The contributors explore Wynter’s stunning reconceptualization of the human in relation to concepts of blackness, modernity, urban space, the Caribbean, science studies, migratory politics, and the interconnectedness of creative and theoretical resistances. The collection includes an extensive conversation between Sylvia Wynter and Katherine McKittrick that delineates Wynter’s engagement with writers such as Frantz Fanon, W. E. B. DuBois, and Aimé Césaire, among others; the interview also reveals the ever-extending range and power of Wynter’s intellectual project, and elucidates her attempts to rehistoricize humanness as praxis.”
Essays by Katherine McKittrick, Denise Ferreira da Silva, Walter D. Mignolo, Bench Ansfield, Nandita Sharma, Rinaldo Walcott, Carole Boyce Davies, Demetrius L. Eudell, and a conservation with Sylvia Wynter.
Edited by Katherine McKittrick
Publisher Duke University Press, Durham and London, 2015
ISBN 9780822358343, 0822358344
Reviews: Anthony Bayani Rodriguez (Antipode, 2015), Lea Hülsen (Kult, 2016), Kaiama L. Glover (Contemporary Women’s Writing, 2016), Inge Mathijssen (philoSOPHIA, 2018), Lauren Nelson (E3W Review of Books, 2019).Comment (0)
Filed under book | Tags: · aesthetics, art theory, materialism, matter, object, object-oriented ontology, philosophy, realism, representation, speculative realism, technology, theory
“Realism Materialism Art (RMA) introduces a diverse selection of new realist and materialist philosophies and examines their ramifications on the arts. Encompassing neo-materialist theories, object-oriented ontologies, and neo-rationalist philosophies, RMA serves as a primer on ‘speculative realism,’ considering its conceptual innovations as spurs to artistic thinking and practice and beyond. Despite their differences, these philosophical positions propose that thought can and does think outside itself, and that reality can be known without its being shaped by and for human comprehension. Today’s realisms and materialisms explicitly challenge many of the dominant assumptions of cultural practice and theoretical inquiry, opening up new domains of research and artistic inquiry.”
Contributions by Armen Avanessian, Elie Ayache, Amanda Beech, Ray Brassier, Mikko Canini, Diana Coole, Christoph Cox, Manuel DeLanda, Diedrich Diederichsen, Tristan Garcia, Iain Hamilton Grant, Elizabeth Grosz, Boris Groys, Graham Harman, Terry Horgan, Jenny Jaskey, Katerina Kolozova, James Ladyman, François Laruelle, Nathan Lee, Suhail Malik, Quentin Meillassoux, Reza Negarestani, John Ó Maoilearca, Trevor Paglen, Luciana Parisi, Matthew Poole, Matjaž Potrč, João Ribas, Matthew Ritchie, Alicia Ritson, Susan Schuppli, Steven Shaviro, Nick Srnicek, Achim Szepanski, Eugene Thacker, McKenzie Wark, Andy Weir.
Publisher Center for Curatorial Studies, Bard College, NY, and Sternberg Press, Berlin, 2015
ISBN 9783956791260, 3956791266
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Filed under book | Tags: · cybernetics, cyberspace, interface, machine, media, media theory, networks, photography, representation, software, technology, theory, virtual reality
“A rich compilation of essays by some of today’s leading theorists and media critics, this book gathers a series of explorations into diverse forms of visualizations in a cultural environment wired into the global network. With its emphasis on the impact of the digital revolution in the late 20th century and the historical context in which it arose, Electronic Culture could not be more timely or relevant.”
Texts by Vannevar Bush, Martin Heidegger, Hans Magnus Enzensberger, Jean-Louis Comolli, Kathy Rae Huffman, Lev Manovich, Vilém Flusser, N. Katherine Hayles, Siegfried Zielinski, Slavoj Žižek, Friedrich Kittler, Sherry Turkle, Pierre Levy, Hakim Bey, Adilkno/Geert Lovink, Critical Art Ensemble, a.o.
Preface by Allucquère Rosanne Stone
Illustrations by Critical Art Ensemble
Publisher Aperture, New York, 1996
ISBN 0893816787, 9780893816780
Review: Andreas Broeckmann (Leonardo, 2000).
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