Vladimir Mayakovsky: My Discovery of America (1926/2005) [Russian/English]

Touring the United States in 1925, the Russian Futurist poet and propagandist Vladimir Mayakovsky observed at first hand what he considered to be the model for Soviet technological development. Writing in his typical declamatory style, he found much to celebrate in the modernised, industrialised America of the 1920s – creativity and advancement, a ‘primitive futurism’. But he also decried the social injustices of uncaring capitalism, losing no opportunity to propound his own political beliefs.

Presented here in full for the first time in the English language, My Discovery of America forms a series of humorous sketches, thoughts, jottings and poems, the significance of which resounds from the early twentieth century through to our own times.

First published as Мое открытие Америки in Russian in 1926
With an introduction and translated by Neil Cornwell
Foreword by Colum McCann
Publisher Hesperus Press, 2005
Modern Voices series
ISBN 1843914085, 9781843914082
138 pages

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Marshall Berman: All That Is Solid Melts Into Air: The Experience of Modernity (1982–) [EN, ES]

The political and social revolutions of the nineteenth century, the pivotal writings of Goethe, Marx, Dostoevsky, and others, and the creation of new environments to replace the old-all have thrust us into a modern world of contradictions and ambiguities. In this fascinating book, Marshall Berman examines the clash of classes, histories, and cultures, and ponders our prospects for coming to terms with the relationship between a liberating social and philosophical idealism and a complex, bureaucratic materialism.From a reinterpretation of Karl Marx to an incisive consideration of the impact of Robert Moses on modern urban living, Berman charts the progress of the twentieth-century experience. He concludes that adaptation to continual flux is possible and that therein lies our hope for achieving a truly modern society.

First published by Simon & Schuster, Inc., 1982
This edition with a new preface published in Penguin Books, 1988
ISBN 0140109625, 9780140109627
383 pages

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All That Is Solid Melts Into Air: The Experience of Modernity (English, 1982/1988)
Todo lo solido se desvanece en el aire: La experiencia de la modernidad (Spanish, trans. Andrea Morales Vidal, 3rd ed., 1988/1989, added on 2014-6-2)

Susan Buck-Morss: Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West (2000)

“The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism.

Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe.

The book is in four parts. “Dreamworlds of Democracy” asks whether collective sovereignty can ever be democratic. “Dreamworlds of History” calls for a rethinking of revolution by political and artistic avant-gardes. “Dreamworlds of Mass Culture” explores the affinities between mass culture’s socialist and capitalist forms. An “Afterward” places the book in the historical context of the author’s collaboration with a group of Moscow philosophers and artists over the past two tumultuous decades. The book is an experiment in visual culture, using images as philosophy, presenting, literally, a way of seeing the past. Its pictorial narratives rescue historical data that with the end of the Cold War are threatened with oblivion and challenge common conceptions of what this century was all about.”

Publisher MIT Press, 2000
ISBN 0262523310, 9780262523318
386 pages

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