Christian Ulrik Andersen, Geoff Cox, Jacob Lund (eds.): Nyhedsavisen: Public Interfaces, No. 1 (2011)

Nyhedsavisen: Public Interfaces is a fake newspaper presenting cutting edge research in an accessible free tabloid format. The newspaper is a 100% genuine copy of the famous Danish newspaper Jyllands-Posten.

The increasing demand for publication of academic peer-reviewed journal articles must be met. Unfortunate examples demonstrate that this may lead to plagiarism. This is not a viable solution. Research must be original and academia is not lacking original content. But perhaps researchers need new visions of how to produce research? Perhaps the readers need new ways of consuming research? Why not imagine academic research as something that can be consumed on a daily basis, in the train or at the breakfast table?

On April 1, at 1 pm, Nyhedsavisen: Public Interfaces was handed out to the public at the metro station ‘DR Byen/Universitetet’ in Copenhagen as well as at the central railway station in Aarhus and the State Library. Also, issues were tactically placed in selected free newspaper stands and at University lunchrooms worldwide.

Emerging from the Digital Aesthetics Research Center and the Center for Digital Urban Living (Aarhus University), the aim of Nyhedsavisen: Public Interfaces is to encompass the changing concept of the ’public’. This is the result of an ongoing research in the computer interface.

The starting point for the newspaper is that the computer interface is a cultural paradigm affecting not only our creative production and presentation of the world but also our perception of the world. Its authors recognize that in the past decade, interfaces have been expanding from the graphical user interface of the computer to meet the needs of different new technologies, uses, cultures and contexts: they are more mobile, networked, ubiquitous, and embedded in the environment and architecture, part of regeneration agendas and new aesthetic and cultural practices, etc. Nyhedsavisen: Public Interfaces investigates these new interfaces that affect relations between public and private realms, and generate new forms urban spaces and activities, new forms of exchange and new forms of creative production.

The newspaper is organised into thematic strands (urban, art, capital) and brings together researchers from diverse fields – across aesthetics, cultural theory, architecture, digital design and urban studies – united by the need to understand public interfaces and the paradigmatic changes they pose to these fields.

All articles derive from an initial conference and PhD workshop held in January 2011, at Aarhus University.

Publisher Digital Aesthetics Research Center & Center for Digital Urban Living, Aarhus University, Aarhus, March 2011
ISBN 87-91810-18-3
Creative Commons Attribution-NonCommercial-ShareAlike License
24 pages

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Scapegoat: Architecture/Landscape/Political Economy journal, No. 0-1 (2010-2011)

“The second issue of SCAPEGOAT looks to current practices to intensify our concept of Service—as a problem. That is, how can we develop new models for self-management and mutual aid that move beyond unidirectional forms of service as clientelism and dependency? How can we think through service provision beyond the State? How can we privilege voluntary association and ethical reciprocity rather than volunteerism? How can new approaches to training and the intergenerational transmission of knowledge be radically re-organized? How has the rise of the populist Right coincided with mechanisms of gentrification and the ideologies of the so-called ’creative city’? How can we counter the predominance of economic metaphors in our attempts to articulate values and commitments? How could design services work in solidarity with the labour of extraction, construction, and maintenance?” (authors)

Issue 1: Service
Summer 2011
Editors: Jane Hutton, Etienne Turpin
28 pages

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“The inaugural issue examines the centrality of the problem of Property because it is the literal foundation for all spatial design practices. We believe that this buried foundation must be exhumed. Architecture, landscape architecture, and urban design each begin with a space that is already drawn, organized, and formed by the concrete abstraction of the property lines. From our perspective, Property stands as the most fundamental, yet underestimated, point of intersection between architecture, landscape architecture, and political economy. What is a “site” except a piece of property? What are architecture and landscape architecture but subtle and consistent attempts to express determined property relations as open aesthetic possibilities? And, decisively, how can these practices facilitate other kinds of relation?” (authors)

Issue 0: Property
Fall 2010
Editors: Adrian Blackwell, Etienne Turpin
24 pages

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SCAPEGOAT: Architecture | Landscape | Political Economy is an independent, not-for-profit, bi-annual journal designed to create a context for research and development regarding design practice, historical investigation, and theoretical inquiry.

As a mytheme, the figure of the scapegoat carries the burden of the city and its sins. Walking in exile, the scapegoat was once freed from the constraints of civilization. Today, with no land left unmapped, and with processes of urbanization central to political economic struggles, SCAPEGOAT is exiled within the reality of global capital. The journal examines the relationship between capitalism and the built environment, confronting the coercive and violent organization of space, the exploitation of labour and resources, and the unequal distribution of environmental risks and benefits. Throughout our investigation of design and its promises, we return to the politics of making as a politics to be constructed.

Publisher: Scapegoat Publications, Toronto
Editorial board: Adrian Blackwell, Adam Bobbette, Jane Hutton, Marcin Kedzior, Chris Lee, Christie Pearson, Etienne Turpin

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Sabine Bitter, Helmut Weber: Autogestion, or Henri Lefebvre in New Belgrade (2009)

“The artist book by Sabine Bitter and Helmut Weber is based on an unpublished orginal text by French philosopher and urbanist Henri Lefebvre which is printed as a facsimile. This central text is contextualized and interpretated by accompanying commentaries and texts by Ljiljana Blagojevic, Zoran Eric, Klaus Ronnberger, and Neil Smith.

The text from Henri Lefebvre was submitted as part of a proposal with French architects Serge Renaudie and Pierre Guilbaud for the International Competition for the New Belgrade Urban Structure Improvement in 1986, sponsored by the state of Yugoslavia. In his urban vision for New Belgrade—the capital of former Yugoslavia founded in 1948—Lefebvre emphasizes the processes and potentials of self-organization of the people of any urban territory to counter the failed concepts of urban planning from above. For Lefebvre, at this late point in his life, the promises of both modernist capitalist as well as state socialist architecture and city planning had failed. Yet, Lefebvre viewed New Belgrade and Yugoslavia as having a particular position in what he has elsewhere called “the urban revolution.” As Lefebvre states, “because of self-management, a place is sketched between the citizen and the citadin, and Yugoslavia is today [1986] perhaps one of the rare countries to be able to pose the problem of a New Urban.””

Edited by Sabine Bitter, Jeff Derksen, and Helmut Weber (Urban Subjects)
With contributions by Sabine Bitter and Helmut Weber, Ljiljana Blagojevic, Zoran Eric, Klaus Ronnberger, and Neil Smith
Publisher: Sternberg Press, with Fillip, Vancouver, 2009
ISBN 9781933128771
160 pages

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