Marleen Wynants, Jan Cornelis (eds.): How Open Is the Future? Economic, Social and Cultural Scenarios inspired by Free & Open Source Software (2008)

In this book a wide range of free-thinking programmers, scientists, artists, designers, engineers, activists, researchers and scholars express their views about various ways of creating and sharing knowledge in an age characterised by thephenomenal rise of the Internet and the growing tendency to protect all intellectual property.

There are two reasons why the free and open-source software issue has become such an inspirational and powerful force today: the rise of the Internet and the growing tendency to protect all intellectual property. Internet technology made it possible to handle massive decentralized projects and irreversibly changed our personal communication and information research. Intellectual property, on the other hand, is a legal instrument which – due to recent excesses – became the symbol of exactly the opposite of what it had been developed for: the protection of the creative process. As a result, free-thinking programmers, scientists, artists, designers, engineers and scholars are daily trying to come up with new ways of creating and sharing knowledge.

Publisher Asp / VUB Press / Upa, Brussel, 2008
Crosstalks Series
ISBN 9054873787, 9789054873785
534 pages

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Marcus Boon: In Praise of Copying (2010)

“This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in.

In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means-historically, culturally, philosophically-and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.”

Publisher Harvard University Press, 2010
Creative Commons BY-NC-ND 3.0 License
ISBN 0674047834, 9780674047839
304 pages

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Dmytri Kleiner: The Telekommunist Manifesto (2010)

“In the age of international telecommunications, global migration and the emergence of the information economy, how can class conflict and property be understood? Drawing from political economy and concepts related to intellectual property, The Telekommunist Manifesto is a key contribution to commons-based, collaborative and shared forms of cultural production and economic distribution.

Proposing ‘venture communism’ as a new model for workers’ self-organization, Kleiner spins Marx and Engels’ seminal Manifesto of the Communist Party into the age of the internet. As a peer-to-peer model, venture communism allocates capital that is critically needed to accomplish what capitalism cannot: the ongoing proliferation of free culture and free networks.

In developing the concept of venture communism, Kleiner provides a critique of copyright regimes, and current liberal views of free software and free culture which seek to trap culture within capitalism. Kleiner proposes copyfarleft, and provides a usable model of a Peer Production License.

Encouraging hackers and artists to embrace the revolutionary potential of the internet for a truly free society, The Telekommunist Manifesto is a political-conceptual call to arms in the fight against capitalism.”

The Telekommunist Manifesto is composed of texts that have been extended and reworked by Dmytri Kleiner, from texts by Joanne Richardson, Brian Wyrick and Dmytri Kleiner, 2004–2008.

Publisher Institute of Network Cultures, Amsterdam, October 2010
Network Notebooks series, 3
Peer Production License. Commercial use encouraged for Independent and Collective/Commons-based users.
ISBN 9789081602129

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