Emmett Williams (ed.): An Anthology of Concrete Poetry (1967/2013)

9 October 2015, dusan

“Concrete Poetry is not one style but a cluster of possibilities, all falling in the Intermedium between semantic poetry, calligraphic and typographic poetry, and sound poetry.

It first crystalized out of these earlier modes in the early 1950s in the works of such people as Eugen Gomringer (CH), Carlo Belloli (IT), Dieter Rot (IS), Öyvind Fahlström (SW), the Noigandres Group (Haroldo and Augusto de Campos, Décio Pignatari and others, BR), Carlfriedrich Claus (GDR), Gerhard Rühm, Friedrich Achleitner and H.C. Artmann (AT), Daniel Spoerri and Claus Bremer (DE), and Emmett Williams (US, then living in DE). In recent years a second generation of major figures have added to the movement, including such people as Hansjörg Mayer (DE), Ladislav Novák and Jiří Kolář (CZ), Edwin Morgan and Ian Hamilton Finlay (SC), Bob Cobbing (EN), bp Nichol (CA), Mary Ellen Solt and Jonathan Williams (US), Pierre and Ilse Garnier (FR), Seiichi Niikuni and Kitasono Katue (JP) and many others.

The very fact of the appearance of parallel work more or less independently in so many countries and languages indicates one of the unique aspects of the movement, namely its source being in the development of a new mentality in which values become fused and inter-relationships established on a more complex plain than was the case in the purer, earlier modes of poetry.” (Something Else Press, 1967)

Publisher Something Else Press, New York, 1967
New edition Primary Information, New York, 2013
ISBN 9780985136437
x+342 pages
via Silvio Lorusso

Reviews: Ingrid Melano (Kaleidoscope 2014), Sam Rowe (Chicago Review 2014).

Publisher
WorldCat

PDF (91 MB)

Sezgin Boynik: Still Stealing Steel: Historical-Materialist Study of Zaum (2014)

5 October 2015, dusan

An artistic research on Zaum language conducted in Tbilisi, Georgia.

Publisher Rab-Rab, Tbilisi, 2014
Photography by Minna Henriksson
Open access
[58] pages

Publisher

PDF, PDF
Academia.edu

The New [New] Corpse (2015)

4 October 2015, dusan

The New [New] Corpse explores current representations of the body in which the human figure appears fragmented, distorted, or emphatically absent in a carefully curated selection of poetry, translation, essays, and exhibition documentation. With a mission statement provided by an artist’s corporation, to a poem about corpses, and an essay about how Billy the Kid changed American mythology, these works emphasize the strange and residual power of material bodies, distorted and skewed through representation. It is produced in conjunction with a group exhibition of the same name.”

With written contributions from Antibody Corporation, Rebecca Beachy, Érik Bullot, Judith Goldman, Julia Drescher, Every house has a door (Matthew Goulish & Lin Hixson), Christy LeMaster, Valeria Luiselli, Jesse Malmed, CJ Martin, Nathanaël, Caroline Picard, Martine Syms, John Tipton, Zoe Todd, & Fo Wilson. Featuring artists Benjamin L. Aman & Marion Auburtin, Amelia Charter, Joseph Grigley, Jane Jerardi, Young Joon Kwak, Jason Lazarus, Jesse Malmed, Carlos Martiel, Heather Mekkelson, Jefferson Pinder, Aay Preston-Myint, Rachel Niffenegger, Xaviera Simmons, Shane Ward, & Shoshanna Weinberger.

Edited by Caroline Picard
Publisher The Green Lantern Press, July 2015
ISBN 9780988418578
144 pages
via Caroline Picard

Publisher
Exhibition

PDF (22 MB)