David Norman Rodowick (ed.): Afterimages of Gilles Deleuze’s Film Philosophy (2010)
Filed under book | Tags: · cinema, film, film theory, image, immanence, philosophy, schizoanalysis, time-image
A critical debate on the importance—and usefulness—of Deleuze’s film theory
The first new collection of critical studies on Deleuze’s cinema writings in nearly a decade, Afterimages of Gilles Deleuze’s Film Philosophy provides original essays that evaluate the continuing significance of Deleuze’s film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research.
Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara
Publisher University of Minnesota Press, 2010
ISBN 0816650063, 9780816650064
396 pages
Felicity Colman: Deleuze and Cinema: The Film Concepts (2011)
Filed under book | Tags: · cinema, film, film theory, image, montage, movement, perception, philosophy, semiotics, time
“Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze’s writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes.
Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze’s revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze’s method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema.
Deleuze and Cinema provides the first introductory guide to Deleuze’s radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.”
Publisher Berg, 2011
ISBN 1847887708, 9781847887702
288 pages
Reviews: Kam Chui Ping (Film-Philosophy 2012), Dorothea Olkowski (Cultural Sociology 2012).
PDF
Academia.edu (from author, added on 2015-10-20)
Jeff Berner (ed.): Astronauts of Inner-Space: An International Collection of Avant-Garde Activity (1966)
Filed under book | Tags: · art, avant-garde, computing, concrete poetry, image, language, literature, media, poetry, situationists, technology, text, theatre
17 Manifestoes, Articles, Letters, 28 Poems & 1 Filmscript.
With manifestoes by Raoul Hausmann, John Arden, Jorgen Nash, Decio Pignatari, Maurice Girodias, Bruno Munari, Allen Ginsberg, Franz Mon, Marshall McLuhan, Max Bense, Diter Rot, Otto Piene, W. S. Burroughs, Dom Sylvester Houedard, Konrad Bayer, Margaret Masterman, R. Watts
Publisher Stolen Paper Review Editions, San Francisco, and The Times Publishing Co, London, 1966
66 pages
scanned by Lori Emerson