October, 155: A Questionnaire on Materialisms (2016)

“Recent philosophical tendencies of “Actor-Network Theory,” “Thing Theory,” “Object-Oriented Ontology,” “Speculative Realism,”and “Vibrant Materialism,” have profoundly challenged the centrality of subjectivity in the humanities and, arguably, the perspectives that theories of the subject from the psychoanalytic to the Foucauldian have afforded (on the operations of power, the production of difference, and the constitution of the social, for instance). At least four moves characterize these discourses:

• Attempting to think the reality of objects beyond human meanings and uses. This other reality is often rooted in “thingness” or an animate materiality.
• Asserting that humans and objects form networks or assemblages across which agency and even consciousness are distributed.
• Shifting from epistemology, in all of its relation to critique, to ontology, where the being of things is valued alongside that of persons.
• Situating modernity in geological time with the concept of the “Anthropocene,” an era defined by the destructive ecological effects of human industry.

Many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift. Is it possible, or desirable, to decenter the human in discourse on art in particular? What is gained in the attempt, and what—or who—disappears from view? Is human difference—gender, race, power of all kinds—elided? What are the risks in assigning agency to objects; does it absolve us of responsibility, or offer a new platform for politics?” (from the introduction)

Responses by Emily Apter, Ed Atkins, Armen Avanessian, Bill Brown, Giuliana Bruno, Julia Bryan-Wilson, D. Graham Burnett, Mel Y. Chen, Andrew Cole, Christoph Cox, Suhail Malik, T. J. Demos, Jeff Dolven, David T. Doris, Helmut Draxler, Patricia Falguières, Peter Galison, Alexander R. Galloway, Rachel Haidu, Graham Harman, Camille Henrot, Brooke Holmes, Tim Ingold, Caroline A. Jones, Alex Kitnick, Sam Lewitt, Helen Molesworth, Alexander Nemerov, Michael Newman, Spyros Papapetros, Susanne Pfeffer, Gregor Quack, Charles Ray, Matthew Ritchie, André Rottmann, Amie Siegel, Kerstin Stakemeier, Artie Vierkant, McKenzie Wark, Eyal Weizman, Christopher S. Wood, and Zhang Ga.

Edited by David Joselit, Carrie Lambert-Beatty, and Hal Foster
Publisher MIT Press, Winter 2016
ISSN 0162-2870
108 pages

PDF (updated on 2017-11-24)

Siegfried Zielinski: Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means (2002–) [EN, ES]

“Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history—fractures in the predictable—that help us see the new in the old.

Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of ‘dreamers and modelers’ of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. ‘Media are spaces of action for constructed attempts to connect what is separated,’ Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others.”

Originally published as Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Rowohlt, Reinbek bei Hamburg, 2002.

Foreword by Timothy Druckrey
Translated by Gloria Custance
Publisher MIT Press, 2006
ISBN 0262240491, 9780262240499
375 pages

Reviews: Simon Werrett (Technology and Culture, 2007), Digital Creativity (2007), Simone Natale (Canadian Journal of Communication, 2012), Stephanie Lam (n.d.).

Publisher (EN)
WorldCat (EN)

Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means (English, trans. Gloria Custance, 2006, 10 MB, updated on 2020-3-24)
Arqueología de los Medios. Hacia el tiempo profundo de la visión y la audición técnica (Spanish, trans. Alvaro Moreno-Hoffmann, 2011, 9 MB, added 2015-6-1 via Will, updated on 2020-3-24)

Zeitschrift für Medienwissenschaft 8: Medienästhetik (2013) [German]

Der Schwerpunkt «Medienästhetik» findet seinen Ausgangspunkt in einer Beobachtung Félix Guattaris, die in ihrer ganzen Dringlichkeit vermutlich erst heute einzusehen ist: Die Produktion von Subjektivität, die mit der allgemeinen Kybernetisierung der Lebensform einhergeht, wurde von Guattari als eine Frage der Ästhetik pointiert. Die medientechnologische Situation, die hinter dieser Neubewertung des Ästhetischen steckt, hat sich in den letzten zwanzig Jahren durch den Eintritt in eine Prozesskultur, wie sie die multiskalaren, netzwerkbasierten, environmentalen Medien des 21. Jahrhunderts bringen, ebenso verschärft wie ausdifferenziert.

Mit Beiträge von Félix Guattari, Luciana Parsi, Erich Hörl, Geert Lovink, Olga Goriunova, Jens Schröter, Yuk Hui, Shintaro Miyazaki, Anke Heelemann, Petra Löffler, Olivier Simard, Ute Holl, Nacim Ghanbari, Sebastian Haunss, Beate Ochsner, Isabell Otto, Tristan Thielmann, Ralf Junkerjürgen, Juliane Rebentisch, Michaela Ott, Jan Distelmeyer, Oliver Leistert, Theo Röhle, Maja Figge, Daniela Wentz und Sebastian Gießmann.

Guest edited by Erich Hörl and Mark B. N. Hansen
Publisher Diaphanes, Zürich, 2013
ISBN 9783037342404
ISSN 1869-1722
Open Access
216 pages

Journal website

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