Siegfried Zielinski: Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means (2002–) [EN, ES]
Filed under book | Tags: · alchemy, art, cinema, electricity, machine, magic, mathematics, media, media archeology, networks, perception, religion, telegraphy, theatre, time, video, vision
“Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history—fractures in the predictable—that help us see the new in the old.
Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of ‘dreamers and modelers’ of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. ‘Media are spaces of action for constructed attempts to connect what is separated,’ Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others.”
Originally published as Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Rowohlt, Reinbek bei Hamburg, 2002.
Foreword by Timothy Druckrey
Translated by Gloria Custance
Publisher MIT Press, 2006
ISBN 0262240491, 9780262240499
Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means (English, trans. Gloria Custance, 2006, 10 MB, updated on 2020-3-24)
Arqueología de los Medios. Hacia el tiempo profundo de la visión y la audición técnica (Spanish, trans. Alvaro Moreno-Hoffmann, 2011, 9 MB, added 2015-6-1 via Will, updated on 2020-3-24)
Filed under book | Tags: · magic, music, mysticism, occultism, sound
For centuries musicians have tapped into mysticism, magic and alchemy, embracing ritual, spell, incantation and prayer, and experimenting with esoteric approaches to harmony, pitch and vibration. In recent decades, avant-garde musicians have rediscovered these overlaps, as occultism has reinvented itself–through Buddhist and other Asian influences, Thelema and Chaos Magic–to accommodate cultural strains from psychedelica through Punk and Industrial music. This special edition of John Zorn’s much acclaimed Arcana series focuses on the magical aspects of the act of making music. Neither historical overview nor musicological study, it illuminates the sympathies between music and the esoteric tradition with the help of today’s finest experimental musicians and occultists. Among these are William Breeze, Gavin Bryars, Alvin Curran, Fred Frith, Sharon Gannon, Larkin Grimm, William Kiesel, Yusef Lateef, Frank London, Meredith Monk, Mark Nauseef, Pauline Oliveros, Genesis P-Orridge, Terry Riley, David Toop, Greg Wall, Peter Lamborn Wilson and Z’ev.
Publisher Hips Road/Tzadik, 2010
ISBN 0978833791, 9780978833794
Review (Geeta Dayal, Rhizome)
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Filed under book | Tags: · history of science, magic, memory, mnemonics, mysticism, rhetoric
In this classic study of how people learned to retain vast stores of knowledge before the invention of the printed page, Frances A. Yates traces the art of memory from its treatment by Greek orators, through its Gothic transformations in the Middle Ages, to the occult forms it took in the Renaissance, and finally to its use in the seventeenth century. This book, the first to relate the art of memory to the history of culture as a whole, was revolutionary when it first appeared and continues to mesmerize readers with its lucid and revelatory insights.
Publisher Ark Paperbacks, an imprint of Routledge & Kegan Paul, London, 1966
Frances Yates and the Mnemonic Works of Giordano Bruno (François Quiviger, Warburg Institute, includes Yates’ reconstruction of Bruno’s memory wheel from De Umbris Idearum)Comment (0)