Digital Artists’ Handbook (2009)
Filed under manual | Tags: · digital art, floss, free software, graphics, software, software art, sound recording, video

The Digital Artists Handbook is an up to date, reliable and accessible source of information that introduces you to different tools, resources and ways of working related to digital art.
The goal of the Handbook is to be a signpost, a source of practical information and content that bridges the gap between new users and the platforms and resources that are available, but not always very accessible. The Handbook will be slowly filled with articles written by invited artists and specialists, talking about their tools and ways of working. Some articles are introductions to tools, others are descriptions of methodologies, concepts and technologies.
When discussing software, the focus of this Handbook is on Free/Libre Open Source Software. The Handbook aims to give artists information about the available tools but also about the practicalities related to Free Software and Open Content, such as collaborative development and licenses. All this to facilitate exchange between artists, to take away some of the fears when it comes to open content licenses, sharing code, and to give a perspective on various ways of working and collaborating.
Contents: Graphics; Working with sound; Working with others; Publishing your work; Working with digital video; Software art; Developing your own hardware.
Produced by folly and GOTO10
Creative Commons Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales License
228 pages
PDF (updated on 2013-10-17)
View online (HTML articles, updated on 2013-10-17)
Catherine Elwes: Video Art: A Guided Tour (2005)
Filed under book | Tags: · art history, media art, video, video art
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“Video art dominates the international art world to such an extent that its heady days on the radical fringes are sometimes overlooked–often unknown. This book is an essential and highly entertaining guide to video art and its history. Elwes, herself a pioneer of early video, traces the story from the weighty Portapak equipment of the ’60s and ’70s to today’s digital technology, from early experiments in “real time” to the “new narrative” movement of the 1980s. She also examines video’s love-hate relationship with television, from its literal destruction in “scratch” video to its apparent absorption into the mainstream with works commissioned by Channel Four. Throughout its forty-year history, video has been allied to self-portraiture, landscape, painting and sculpture and has been co-opted as a political tool. Artists discussed include amongst many others Nam June Paik, Nan Hoover, The Duvet Brothers, Dara Birnbaum, Bill Viola, Pipilloti Rist, David Hall, Stuart Marshall, Shirin Neshat, Smith & Stewart, Steve McQueen and Sam Taylor-Wood.”
Publisher I.B.Tauris, 2005
ISBN 1850435464, 9781850435464
x+212 pages
PDF (updated on 2022-7-23)
Comment (1)X-MED-A: Experimental Media Arts (2006)
Filed under book | Tags: · art, code, experimental art, generativity, media art, media ecology, music, performance, software, sound art, sound recording, technology, textile, video, workshop

“In X-MED-A publication you can find more than 40 contributions from a motley crew of artists, designers and engineers, including Matthew Fuller, Joey Berzowska, Casey Reas, Akihiro Kubota along with many other clever and lovely people. The articles, interviews, poems and patches reflect upon education and play, poetics and aesthetics, technology and collaboration, politics and economics of experimental media arts, steeped in a sea of photographs, diagrams, screenshots and illustrations.
The review originated from a series of technically and artistically diverse workshops, organised by four independent technological arts initiatives in Brussels: FoAM, nadine, okno and iMAL. The workshops responded to the needfor a place where continuous learning and dialogue between peers is encouraged, with the objective of sharing of experience, skills and knowledge among diverse groups interested in emerging ideas, media and technologies.”
Contributions by mxhz.org, Guy van Belle, Angez Bewer, Bartaku, Johanna Berzowska, Nicolas Collins, Alejandra Perez Nunez, Akihiro Kubota, Franziska Huebler, Carole Collet, FoAM, Eleonora Oreggia, Casey Reas and Ben Fry, jasch, David Griffiths, Toplap, so-on, Xavier Ess, Els Viaene and Dieter van Dam, Code31, Nadine, Yves Bernard, HC Gilje, Rachel Wingfield, Christoph de Boeck, Isjtar, Nicolas d’Alessandro, Jelle Dierickx, Jenny Tillotson, Jessica Hemmings, Toysband, Alejo Duque, Erik Parys, Pablo Diartinez
With an introduction by Matthew Fuller
Edited by Maja Kuzmanovic (FoAM), nadine, Annemie Maes (okno), Yves Bernard (iMAL)
Assistant editor: Alkan Chipperfield
Publisher: FoAM, nadine, okno, and iMAL, Brussels, 2006
Creative Commons Attribution-NoDerivs 2.5 License
ISBN 908107332X
156 pages
Project website
Editor (FoAM)
PDF (updated on 2021-12-29)
Comment (0)